Tuesday, December 29, 2015

Penguin Teen's Breathless Reads! Book List

Need something to read that will leave you breathless? Check out this book list...





1) "Black City" by Elizabeth Richards

Eyes will roll.

Ash is a scorned twin-blood Darkling—hybrid son of a human and a vampire—who hustles Haze, the drug that occurs naturally in Darkling venom, to the addicted human youth of Black City. Natalie is all human, daughter of Black City’s newly returned Emissary, local head of the national government that just won a bitter war against the Darklings and is committed to racial purity. When they meet under a bridge after Natalie slips her security detail, Natalie’s heart skips a beat. So does Ash’s, which is seriously weird, because twin-bloods’ hearts don’t beat at all. (Full Darklings have two hearts, one of the book’s many arbitrary and wholly unconvincing quirks of biology.) They meet again at school; they engage in pro forma animosity; they realize they love each other. While this narrative arc is entirely predictable, at least it is relatively short—but into the mix are thrown political upheaval, a murder mystery, a contagious wasting disease, brutality against animals, parental infidelity, steamy near-sex scenes, vivisection and public crucifixions, along with grindingly obvious parallels to Nazism and the American skinhead movement. Copious infodumps do not compensate for slipshod worldbuilding. There is as little nuance to the relationships as everything else; in addition to the ludicrous destiny that binds Natalie and Ash, friendships dissolve and come back together with all the subtlety of a preschool playground.

Bloated and banal. (Paranormal romance. 14-16)




2) "Nightshade" by Andrea Cremer

Teenage werewolves dominate an exclusive high school in Vail, Colo., in this supernatural thriller. Something else dominates the werewolves. Calla, the alpha female of the Nightshade pack, is scheduled to mate with Ren, the alpha male of the Bane pack. She develops divided loyalties, however, when Shay, a human she’s assigned to protect, begins to fascinate her... This may be sounding familiar, and also recognizable is the novel’s sexual tension: The mere touch of either Ren or Shay can drive Calla to uncontrollable, ultimate bliss, to the extent that her urges sometimes overpower the plot. The portrayal of the animal instincts and behavior of the wolf-teens rings true, however, and Cremer builds a compelling world, moving her plot forward with well-paced drive that easily holds readers’ interest. On the surface, this is not much more than an imaginative B-grade paranormal-suspense story. The book’s underlying themes of individualism and freedom, however, lift it to a higher level, and they will probably have a chance to play out in a sequel--one readers won't have to feel too guilty about looking forward to. (Paranormal romance. 14 & up)



3) "Incarceron" by Catherine Fisher

A far-future thriller combines riveting adventure and masterful world-building with profound undertones. Finn cannot remember anything before awakening in the vast sentient prison called Incarceron, but he is sure that he comes from outside its hellish confines. Claudia has known nothing but luxury as the daughter of Incarceron’s Warden; but she dreads her imminent marriage to the caddish prince of the Realms, which are trapped in a static reenactment of a pre-technological past. In parallel narratives, each discovers a chance of escape in matching crystal keys. Their separate quests gradually intertwine with increasing suspense, cresting in a series of shocking reversals and revelations. Claudia and Finn and their assorted companions are complex and comprehensible, engaging reader sympathies even as they mislead and betray each other. Elegant prose and precisely chosen details deftly construct two very different worlds, hinting at layers beneath the glimpses the tale permits; attentive readers will hear echoes of classic tales, resonant with implications about the meaning of stories, of faith and of freedom. Like the finest chocolate, a rich confection of darkness, subtlety and depth, bittersweet and absolutely satisfying.(Science fiction. YA)





4) "Falling Kingdom" by Morgan Rhodes

Lips meet, hearts blaze, blood gushes and kingdoms clash in this thoroughly predictable Song of Ice and Fire wannabe.

Chucking in requisite elements—a magic ring, crystals with “ultimate power,” a vague prophecy about a chosen one, hidden Watchers, societies frozen at a medieval level—“Rhodes,” otherwise known as paranormal romance author Michelle Rowen (Vampire Academy: The Ultimate Guide,2011), centers her tale on teen characters in three adjacent lands who are swept into savage conflicts of both hearts and politics. Showing particular fondness for cut throats the author splashes both opening chapters and climactic battle with sprays of gore as, in between, impulsive Princess Cleo of Westeros Auranos falls in love with her hunky bodyguard before setting out incognito (in courtly dress) to wander impoverished villages in search of magical healing for her dying older sister; merchant’s son Jonas of Paelsia turns revenge seeker burning with hatred for the royals who murder his brother; and Prince Magnus of Limeros wrestles with “forbidden feelings” for his sister Lucia—whose growing magical powers make her the centerpiece of their bloody minded father’s schemes of conquest. Several of the sympathetic characters in the teeming cast suffer sudden death or at least inner strife that settles out in different ways, but all are recognizable types and any secrets they harbor are either telegraphed or clumsily manipulated to heighten romantic tension. The sex is all implicit or offstage, and even the hint of incest turns out to be illusory.

For readers who find George R.R. Martin’s epic too much, here’s considerably less. Sequels are certain. (Fantasy. 13-17)




5) "City of Bones" by Cassandra Clare

This urban-fantasy series opener spices its fight against evil with sexual tension. Fifteen-year-old geek hipster Clary thought she was just a normal kid, but normal kids don’t see invisible people, and normal kids’ mothers don’t suddenly disappear, seemingly captured by horrific monsters. But like many fantasy heroines, Clary isn’t normal, and she’s got all the secret parentage, dramatic revelations and amazing magic powers to prove it. Clary is a Shadowhunter, brought up as a mundane but born to fight demons. She and her mundane friend Simon fall in with a trio of Shadowhunter teens, and are soon embroiled in a quest to understand Clary’s past—and incidentally save the world. Rich descriptions occasionally devolve into purple prose, but the story’s sensual flavor comes from the wealth of detail: demons with facial piercings, diners serving locusts and honey, pretty gay warlocks and cameo appearances from other urban fantasies’ characters. Complicated romantic triangles keep the excitement high even when the dramatic revelations tend toward the ridiculous. Lush and fun. (Fantasy. YA)






6) "Divergent" by Veronica Roth

Cliques writ large take over in the first of a projected dystopian trilogy.

The remnant population of post-apocalyptic Chicago intended to cure civilization’s failures by structuring society into five “factions,” each dedicated to inculcating a specific virtue. When Tris, secretly a forbidden “Divergent,” has to choose her official faction in her 16th year, she rejects her selfless Abnegation upbringing for the Dauntless, admiring their reckless bravery. But the vicious initiation process reveals that her new tribe has fallen from its original ideals, and that same rot seems to be spreading… Aside from the preposterous premise, this gritty, paranoid world is built with careful details and intriguing scope. The plot clips along at an addictive pace, with steady jolts of brutal violence and swoony romance. Despite the constant assurance that Tris is courageous, clever and kind, her own first-person narration displays a blank personality. No matter; all the “good” characters adore her and the “bad” are spiteful and jealous. Fans snared by the ratcheting suspense will be unable to resist speculating on their own factional allegiance; a few may go on to ponder the questions of loyalty and identity beneath the façade of thrilling adventure.

Guaranteed to fly off the shelves. (Science fiction. 14 & up)









Wednesday, December 16, 2015

Under-Rated Science Fiction Book List

Do you like Science Fiction? Are you bogged down by all the main stream stuff? Want something different? Check out this book list...




1) "Hominids" by Robert J. Sawyer

Sawyer (Calculating God, 2000, etc.) returns to a familiar device: parallel universe civilizations weighing each other’s values. In the first installment of a projected Neanderthal Parallax trilogy, both civilizations are afflicted with cancer. Long ago in a parallel world, Neanderthals took the Great Leap Forward over Homo sapiens and developed a civilization to rival ours. Down in a deep shaft, Neanderthal research scientist Ponter Boddit, whose mate has died of leukemia, is working on a new quantum computer measuring hydrogen particles when he is transported to a similar experiment in our world. That experiment is also taking place deep in a Canadian shaft, and Ponter finds himself drowning in a huge ball of heavy water being used to observe neutrinos. The very big scientist, who has the usual Neanderthal cranial features, is rescued by sapient Louise Benoît and taken to the surface. Radiology shows his bone structure to be truly Neanderthal. While we follow the terrors of DNA specialist Mary Vaughan, who gets raped at knifepoint but survives, we learn that Ponter wears a wrist implant, a black box that records his entire life history, including his immediate physiological experiences, follows his movements through Global Positioning, and talks to him through cochlear implants. Neanderthals have few crimes of violence in part because they all have this box (called a Companion), which follows their every movement and allows judicial scrutiny should there be a crime. Back home, as it happens, fellow scientist Adikor is being tried for Ponter’s murder. Big question: How about humans having Companions? Lots of crimes would be stopped.

With the quantum computer gateway now working, will sapiens travel to Ponter’s home in volume two? And in volume three, will they go for a synthesis of civilizations? You betcha.

Book One of Three: Humans and Hybrids




2) "The Light of Other Days" by Arthur C. Clarke

This first collaborative effort from Clarke, the venerable author of 3001: The Final Odyssey (1997), etc., and the up-and-coming Baxter (Manifold: Time, Jan. 2000, etc.), exploits an old SF idea: a device that allows anyone to spy on anyone else, anywhere…and anytime. Well, the denizens of this near-future know that, in 500 years, the giant Wormwood asteroid will smash Earth. Unscrupulous, manipulative Hiram Patterson's WormCam - it uses stabilized quantum wormholes to connect any two points - is the perfect all-purpose spy-eye; nothing can be concealed and so privacy is rendered obsolete. Among other developments: Hiram's son Bobby is surprised to learn that he has a brilliant physicist half-brother by the name of David. As WormCam technology spreads, politicians and other public figures crash and burn - their misdeeds cannot be concealed. David modifies the WormCam to probe the past…and the accepted version of history collapses. New mores develop. Many find the present intolerable and use their WormCams compulsively to relive the past. Bobby's half-sister Mary invents the SmartShroud that conceals the wearer from the WormCam; and she implants a wormhole-and-computer in her head, allowing the instant sharing of thoughts with those similarly equipped. Known as the "Joined," they're developing into a collective intelligence - but can they stop Wormwood?





3) "Heroes Die" by Matthew Woodring Stover

Dubious sf/fantasy hybrid from the author of the paperback Iron Dawn. Stover’s future Earth is run by and for the entertainment networks, with society locked into a rigid and unforgiving caste system. Coexisting with Earth but in another dimension is planet Overworld, with its stereotypical medieval sword-and-sorcery fantasy scenario. Entertainers from Earth can be projected into Overworld, their adventures then relayed back for vicarious VR enjoyment. So on Earth, Actor Hari Michaelson does what his boss, Arturo Kollberg, chairman of San Francisco Studio, tells him; on Overworld, Hari becomes Caine, a dreaded and highly successful assassin. But now also on Overworld, the Emperor Ma’elKoth, together with his henchman, the supernally skillful swordsman Count Berne, has achieved supreme power by mounting a successful pogrom against “Aktirs,” thus threatening Earthly profits and the engineering of new dramas. Kollberg therefore orders Hari back to Overworld, where his mission will be to kill Ma’elKoth and rescue his ex-wife, the Actor Shanna Leighton, trapped on Overworld in one of her two identities, as the revolutionary Pallas Ril or the resistance fighter Simon Jester. Unfortunately for Hari, Ma’elKoth is already aware of Caine and Pallas/Simon and has devised his own plans accordingly. So, can Caine kill his enemies, survive a voyage of painful self-discovery, and win back his lovely wife? Shallow and unsurprising, a furious, gory hack-’em-up with—even for this subgenre—a high expletive count. Stover does, however, work hard to develop his characters.



4) "The Man Who Folded Himself" by David Gerrold

Danny, a very nice young man if a loner -- he makes this all levitate -- inherits a timebelt and finds that he has a shadow, Don. In fact before long me and my' other self become us (a girl Diane, a baby, even his benefactor) and even if the action is on the slight side, Gerrold hypothecates agreeably with a jump here and a skip there on the nature of existence and destiny. Resilient.



5) "Jennifer Government" by Max Berry

Bubblegum pop-future comedy in which corporations go to war like feudal fiefdoms.

In a move guaranteed to provide the impetus for many a lawsuit, all Barry’s characters have forgone use of their surnames in the interest of renaming themselves after their place of work—so we have Jennifer Government, John Nike, Hack Nike, Buy Mitsui, and Billy NRA. Jennifer is a former top advertising exec with a barcode tattoo on her face who is now a loose-cannon federal agent and single mother, as deadly with a pistol as she once was with ad copy. The world situation: corporations are even more rapacious than today, and they fight one another along battle lines drawn up by two big consumer reward programs: US Alliance and Team Advantage. Governments themselves are a thing of the past, with the exception of the US one, which is now privatized and running other parts of the globe, including Australia, where the book is set. Coldhearted marketing whiz John Nike (one of two characters so named) has decided that Nike’s new sneakers would fly off the shelves all the faster if on the day they were delivered to Niketowns, several teenage customers got shot for them. It’s a manufactured street cred thing. Shooters are hired—many from the now-privatized and militia-like NRA—and, despite Jennifer’s best efforts, 14 teen shoppers get killed. The remainder of the story describes a rapidly escalating battle for supremacy between Jennifer’s government agents and the forces of Nike, who believe themselves to be invulnerable and don’t hesitate to use deadly force. At the same time, things are heating up between US Alliance and Team Advantage, with Burger Kings getting bombed, snipers going after rival chain stores, and riots erupting in the streets. Barry (Syrup, 1999) has a quick wit and a light touch, which helps the reader skate over some of the occasional patches of too-obvious satire and should translate easily (though more litigiously) to film.





6) "Mission of Gravity" by Hal Clement

This is definitely for the science-minded for the detailed blueprint of work-in-progress in a heavy gravity field demands mental agility and ability. To recover information from a rocket which has landed on Mesklin, an Earth expedition makes contact with tramp trader Barlennan, gets his promise to help locate their goal. Adventures along the way are solved by earth science and Barlennan trades for an earth education. (The Mesklinites are intelligent beetles). Dust off the brain.



7) "West of Eden" by Harry Harrison

One of Hollywood's favorite scenarios--as intelligent reptiles battle stone age humans for control of an alternate Earth. Driven south by a deteriorating climate, tribes of hunter-gatherer humans come into contact with the tropic-dwelling Yilane, cold-blooded creatures whose appealing civilization is convincingly based on genetic engineering techniques. (Their cities, tools, and weapons are all modified living entities.) The two races, though, at once begin to fight out of mutual loathing and incomprehension. And, in one skirmish, the Yilane capture six-year-old hunter's son Kerrick and convey him to their newly-founded city Alpeasak. So, during a long captivity, Kerrick painfully learns to communicate with the Yilane, absorbs their advanced civilization, and wins the grudging acceptance of war leader Vainte; his human memories grow dim. Then the Yilane bring in a prisoner, the hunter Herilak, for Kerrick to interrogate: forcefully reminded of his origins, Kerrick stabs Vainte and escapes with Herilak. Vainte vengefully pursues with a hugh army; Kerrick and Herilak, joining with other tribes, find sanctuary beyond the mountains. But soon the Yilane discover their whereabouts, and Kerrick resolves to attack the Yilane city in a desperate attempt to end the threat--a conclusion that leaves plenty of scope for sequels. Despite substantial embellishments, this familiar plot is offered up in a narrative that's only sporadically gripping and exciting--and, uncharacteristically for peripatetic veteran Harrison, totally humorless. (The somber tone underlines the gloomily xenophobic message here.) Still, if you enjoyed Hubbard's Battlefield Earth, you'll certainly enjoy this professional, often-engaging recycling of tried-and-true notions.



Tuesday, December 15, 2015

1960s Book List

Do you enjoy books written in the 1960s or takes place during that decade? Then check out this book list...




1) "The Pigman" by Paul Zindel

The Pigman is Mr. Angelo Pignati, dupe, patron, playmate, responsibility of high school sophomores John Conlan and Lorraine Jensen, who take turns telling what happened. . ""but you really can't say we murdered him."" Hooked like that, you really can't stop reading either, although this echoes the current preoccupation with floundering kids and niggling parents and the abyss between, underlined: ""I don't want to be a phony. . . . I want to be me."" Lorraine and John are sympatico, not sweethearts; home and school are hollow; not so old Mr. Pignati pretending that his wife isn't dead, showing off the collection of pigs he gave her, going to the zoo every day to visit the baboon. And telling jokes and playing games like a kid, with TV and refreshments and no sweat: a refuge. Then he is hospitalized with a heart attack (after chasing John up the stairs on roller skates) and Lorraine and John have the house to themselves. The first evening they sense each other differently. Before Mr. Pignati is scheduled to come home they throw a bottle party and the house is in chaos, the pigs shattered, when he walks in. Not smiling; crying, a policeman says after. Contrite, Lorraine and John insist he meet them at the zoo the next day but the baboon has died and the Pigman has a fatal stroke. ""There was no one else to blame anymore. . . . Our life would be what we made it--nothing more, nothing less."" Insistently rebellious as this is (John smokes, drinks, plays practical jokes deliberately), it's not churlish like some of its sort. And though the kids miss coalescing as individuals, there are moments when you know just what they're talking about.






2) "Silent Spring" by Rachel Carson

It should come as no surprise that the gifted author of The Sea Around Us and its successors can take another branch of science—that phase of biology indicated by the term ecology—and bring it so sharply into focus that any intelligent layman can understand what she is talking about. Understand, yes, and shudder, for she has drawn a living portrait of what is happening to this balance nature has decreed in the science of life—and what man is doing (and has done) to destroy it and create a science of death. Death to our birds, to fish, to wild creatures of the woods—and, to a degree as yet undetermined, to man himself. World War II hastened the program by releasing lethal chemicals for destruction of insects that threatened man’s health and comfort, vegetation that needed quick disposal. The war against insects had been under way before, but the methods were relatively harmless to other than the insects under attack; the products non-chemical, sometimes even introduction of other insects, enemies of the ones under attack. But with chemicals—increasingly stronger, more potent, more varied, more dangerous—new chain reactions have set in. And ironically, the insects are winning the war, setting up immunities, and re-emerging, their natural enemies destroyed. The peril does not stop here. Waters, even to the underground water tables, are contaminated; soils are poisoned. The birds consume the poisons in their insect and earthworm diet; the cattle, in their fodder; the fish, in the waters and the food those waters provide. And humans? They drink the milk, eat the vegetables, the fish, the poultry. There is enough evidence to point to the far-reaching effects; but this is only the beginning,—in cancer, in liver disorders, in radiation perils…This is the horrifying story. It needed to be told—and by a scientist with a rare gift of communication and an overwhelming sense of responsibility. Already the articles taken from the book for publication in The New Yorker are being widely discussed. Book-of-the-Month distribution in October will spread the message yet more widely. The book is not entirely negative; final chapters indicate roads of reversal, before it is too late!





3) "Over Sea, Under Stone" by Susan Cooper

...that's the cryptic route followed in this story which starts as a typical Juvenile mystery/adventure but then turns out to be a morality tale with a struggle between forces of good and evil. Simon, Jane and Barney Drew go with their parents on a vacation to an old house in Cornwall Which their Great-Uncle rented for the occasion. Great-Uncle Merry is a scholar specializing in Arthurian history and legend, a mysterious person who seems larger than life. The children decide to go on a quest and immediately locate a hidden chamber and an aged manuscript. The manuscript turns out to be a description of the hiding of Arthur's grail and of the key to its understanding which were supposed to usher in the Coming of the new Pendragon ("And that day shall see a new Logres, with evil cast out; when the old world shall appear no more than a dream."). Only the children are able to carry on the Search. Great-Uncle Merry seems to know all the answers, but he can only watch, advise a little, and protect them from the forces of evil represented by a personage mas-querading as the vicar and a fashionable young couple yachting in the area. The story, which starts slowly, becomes more compelling as the supernatural starts to take over, although the mystic powers never reach the terrifying proportions they should have, and the ending, necessarily ambiguous, seems uncomfortably contrived. The theme of good and evil in violent opposition is always a forceful one, but beyond this book's capacity.







4) "The Golden Notebook" by Doris Lessing

Doris Lessing has been established in England, rather than here, as one of the most interesting writers since the '40's and this remarkable book, unquestionably her major work to date, reflects a savage intelligence which does not exclude passion. Technically the novel is intriguing, subdivided in alternating, cyclical sections, and the prefatory Free Women introduce Anna Wulf and her friend Molly, emancipated and enlightened, living "emotionally hand to mouth". Most of the novel however is devoted to the notebooks kept by Anna: The Black Notebook which covers a period during the war in South Africa and a first nostalgic love; The Red Notebook spans the 1950's, her entry into the Party, her disaffection and a five year affair; The Yellow Notebook is a novel written within this novel in which she projects and paraphrases her own experience; and The Blue Notebook, the most contemporary, is filled with her analysis, a short-lived marriage, her daughter, and finally a very devastating affair which leads up to the final reprise in the notebook of the title. Perhaps a claim of one of the characters may be used to define the book, that the real revolution of our time is not Chinese- not Russian- but that of "women against men", women, like Anna, who achieve freedom only to submit to chaos, and certainly the notebooks are a device to mirror her anxiety, discomfort and fragmentation as she drifts through experiences with careful men, non-committed men, castrated men. With all its passionate probing and deliberate truthtelling, it is sexually, biologically clinical to a point which may offend some readers. Others will find it a painful, revelatory, fascinating book, and while Doris Lessing is not as glittering a writer as Simone de Beauvoir, some of her concerns may occasion the comparison and suggest a market.







5) "Okay For Now" by Gary D. Schmidt

It’s 1968. The Vietnam War and Apollo 11 are in the background, and between a war in a distant land and a spacecraft heading to the moon, Doug Swieteck starts a new life in tiny Marysville, N.Y. He hates “stupid Marysville,” so far from home and his beloved Yankee Stadium, and he may have moved away, but his cruel father and abusive brothers are still with him. Readers of the Newbery Honor–winning The Wednesday Wars (2007) will remember Doug, now less edgy and gradually more open to the possibilities of life in a small town. Each chapter opens with a print of a John James Audubon painting, and Mr. Powell, the town librarian, teaches Doug to paint and see the world as an artist. He meets pretty Lillian Spicer, just the feisty friend Doug needs, and a whole cast of small-town characters opens Doug to what he might be in the world. This is Schmidt’s best novel yet—darker than The Wednesday Wars and written with more restraint, but with the same expert attention to voice, character and big ideas. By the end of this tale, replete with allusions to Our Town, Doug realizes he’s pretty happy in Marysville, where holding hands with the green-eyed girl—and a first kiss—rival whatever might be happening on the moon. (Historical fiction. 10-14)





6) "Stoner" by John Williams

John Williams is a professor of English at the University of Denver and this novel which is about a professor of English at the University of Missouri has no doubt some, if not considerable, basis in his own experience even though it subdues it more than, say, R. V. Cassill or Carlos Baker. Actually Mr. Williams' novel is altogether subdued and in keeping with the character he has created with care, conscience and consistency, perhaps at the expense of the readers he might hope to attract. William Stoner is a shy, awkward, reserved young man to begin with when he comes off the farm and his primary experiences are unlikely to make him more assured and expansive. He marries the prohibitively prim Edith who, in the one period when she is not sexually inviolable, manages to have a child, Grace. But she will attempt to keep Grace at some distance from her father. Stoner, midway in his career, has a real crisis of principle with the new chairman of the English Department who will pillory him from then on. He has only one rewarding personal experience, an affair with a graduate student, forcibly curtailed because of campus gossip. And he retreats further to teach, with an almost anonymous, dogged dedication until his death--cancer....His story is told in monochomatic shades of grey and it is to Mr. Williams' credit that he achieves for Stoner the sympathy he deserves. More, perhaps not.




7) "Revolutionary Road" by Richard Yates

It's hard to think that there's too much wrong with April and Frank Wheeler over and above what has been tagged the disenchantment syndrome of the average young married couple in the suburbs. An attractive pair (April is beautiful), with two children, a home in Connecticut, and friends nearby a little less limited than the rest of their neighbors,- still -- a lot has rubbed off since they first played house together in a Village apartment. But while Frank has been able to accept a dullish job with a big business in New York, April's Bovaryish boredom, her reproaches, her flare-ups and nights spent on the sofa, would indicate that she is more than just a chafed spirit. For April's discontent is a real emotional destitution, and this, to Yates' great credit, is only imperceptibly apparent. There is her irresponsible, unrealistic plan to get away from the ""hopeless emptiness of everything"" by going to Europe where they can find ""a world of intellect and sensibility"". Frank goes along with it, although he is offered a ""challenging"" new job- until April is pregnant again and threatens to abort herself. There is talk- of getting help, of starting again- as they were, but the moment of truth, April's hopeless alienation, comes only after the irreparable fact...... Yates, a new novelist (an O'Henry award earlier and an appearance in the Scribner annual) has an unerring eye and ear and ar so that his first novel, while maybe not important, is certainly aware and alive.






Friday, December 11, 2015

Mystery Book List for Young Adult and Middle Grade

Does your child like mystery books? Do they need something to read? Check out this book list...







1) "Ripper" by Stefan Petrucha

Has Jack the Ripper moved across the Atlantic to terrorize Gilded Age New York City?

For 14-year-old Carver Young, growing up as an orphan in 1895 New York isn't easy, though it gives him plenty of opportunities to practice lock picking, sleuthing and eavesdropping. When he’s chosen as an apprentice by Pinkerton detective Albert Hawking, Carver finds boundless opportunities to learn the detective trade, especially when he assists Hawking on the hunt for a serial killer in New York City. Carver dives into the case, turning to Delia, his best friend from the orphanage, for assistance with research, as her adoptive parents have access to the archives of The New York Times. As the clues mount, Carver discovers the killer might be Jack the Ripper, and that Jack may have a clue to Carver’s parents. Petrucha does an excellent job developing historic New York as a character in the city, though a map or two would not be amiss. Well-rounded characters, both teen and adult, help to gloss over occasional lapses in the credibility of the dialogue. Pacing is smooth, blending coming-of-age with mystery and action.

While some may guess the plot twist, Petrucha nonetheless provides both a well-crafted romp through yesteryear’s New York and an enticing companion for it. (Historical mystery. 12-15)



2) "Suspicion" by Alexandra Monir

This omnibus paranormal/mystery/suspense/romance follows as many gothic memes as possible within a modern setting.

New Yorker Imogen, 17, inherits an English dukedom, which embroils her in a centuries-old mystery. During childhood visits, she fell in love with Lord Sebastian Stanhope. He, however, became attached to her cousin Lucia in the interim. But now Lucia has died, making orphaned Imogen the only remaining heir. Imogen appears to be the direct descendant of Lady Beatrice, hanged as a witch in the early 1800s (some 150 or so years after the last recorded witch hanging in England, but who cares about historical accuracy when there is a trope to exploit?). The young duchess has inherited her progenitor’s supernatural power to grow flowers in an instant, among other useful abilities. She must also contend with such genre staples as the cold and intimidating housekeeper and her daughter, the nasty maid. A murder mystery explodes into the plot; can Imogen use her powers to unravel the mystery? Unfortunately, the entire effort is rife with clichés. In keeping with the genre, all protagonists are extraordinarily beautiful/handsome, all major characters are titled, and the palatial mansion has four turrets and a supernatural garden maze.

A simplistic entry in the genre for undemanding fans of Downton Abbey. (Paranormal romance. 12-18)



3) "Tsarina" by J. Nellie Patrick

A Russian countess, Natalya Kutepov passionately fights the Red revolutionaries in an attempt to save her country, her heart and a precious Fabergé egg.

When their gentle world is turned upside down one cold night by a mob on a rampage, Natalya and her friend, Emilia, try to flee St. Petersburg for the safety of Paris. They are thwarted by a young Red named Leo, who tries to use them as a way to get to the powerful Constellation Egg. Given magic, mystical powers by Rasputin before he died, it keeps the royal Romanov family in power and protects those they love. Beloved of the tsarevitch, Natalya has a personal investment in the egg, and to protect it, she taps into internal reservoirs of strength and cunning she’s never been required to access before. Caught in the frozen landscape of Russia during the revolution, the three young adults embody the hope, terror, conviction and patriotism seething in the warring crowds that surround them. Eventually, Natalya comes to understand the deeply personal reverberations of the revolution: “[T]he rioters in St. Petersburg weren’t Leo any more than the nobles who fled the country early on were me.” Patrick treats her heavy subject with welcoming, graceful prose.

Romance, adventure, magic and history blend seamlessly into a story that is not just historically sensitive and gloriously thrilling—it’s essential moral reading. (Historical fantasy. 12 & up)



4) "Bliss" by Lauren Myrade

Socio-historical details revitalize classic horror conventions in this suspenseful thriller. Bright 14-year-old Bliss has been deposited at the Atlanta residence of her uptight grandmother by her hippie parents after they split from their commune, seeking refuge from Nixon’s political policies in Canada. Attending an exclusive private school is very nearly a cross-cultural experience for Bliss, and she is deeply disturbed by both the generally catty nature of her peers and their persistent racism. She also is plagued by terrifying ghostlike voices from the moment she sets foot on campus, and is quickly enveloped into a troubling mystery surrounding a student’s death many years prior. Against a backdrop that vividly illustrates the 1969-70 time period, including the Tate-LaBianca murders and subsequent Manson murder trial, Bliss is drawn into a disturbing friendship with an outcast and into a legacy of occult happenings at her school. Myracle effectively pairs these supernatural elements with the real-life horror of racial hatred within an insular community, and Bliss’s gentle and witty narrative voice provides just the right balancing tone. (Horror. YA)



5) "Cross My Heart" by Sasha Gould

Sixteen-year-old Laura della Scala becomes dangerously embroiled in the secrets, scandal and political intrigue of 16th-century upper-class Venice as she seeks to unravel the mystery surrounding her sister’s unexpected death.

Summoned home from the convent where she’s lived for five years, Laura discovers her beloved sister Beatrice has drowned, and her father expects her to marry Beatrice’s wealthy fiancé, Vincenzo. Still grieving for Beatrice, Laura’s pulled into the gossip and rivalries of Venetian society, in which everyone is “part of a scheme or a plot.” When Laura realizes her future husband is elderly, cruel and lecherous, she feels powerless to disobey her father. Desperate to avoid marrying Vincenzo, Laura betrays a confidence to join the Segreta, a powerful secret society of masked women who arrange for Vincenzo’s disgrace and exile. Saved from the marriage, Laura feels indebted to the Segreta, but she also suspects they may be involved in her sister’s death. As she searches for Beatrice’s murderer, Laura falls in love with a penniless young artist with his own volatile secret guaranteed to rock Venetian society. Told in the first person, present tense from Laura’s perspective and set amid glittering ballrooms and dark canals, this richly atmospheric thriller stars a bold heroine who tackles murder, betrayal and revenge with contemporary gusto.

Enticing, exciting fare. (Historical fiction. 12 & up)



6) "Palace of Spies" by Sarah Zettel

A rollicking spy caper in corsets.

In 1716 London, gimlet-eyed Peggy is 16 and orphaned, living off the charity of her beloved cousin’s family. When her grim, unsentimental uncle arranges a marriage of convenience to a brute, Peggy’s adventure begins. In desperation, she accepts the help of Mr. Tinderflint, a mysterious stranger who claims to have known her mother and offers her an outlandish escape. When she finds herself in the court of King George I, having assumed the identity of a maid of honor (now secretly and suspiciously deceased) in the Princess of Wales’ entourage, her own skepticism about the plausibility of the scheme is part of the fun. Ostensibly there to spy for her employer, she quickly learns that all is not as it seems, and she’s left to suss out the motivations of both her friends and enemies while staying one step ahead of them all. In less adept hands, this would be formulaic folderol, but Zettel arms her narrator with a rapier wit; Peggy is observant and winningly funny as she recounts the intrigues, flirtations and dangers she encounters at court. The tale is studded with rich period descriptions of the foods, fashions and foibles of royal protocols.

This witty romp will delight fans of historical fiction as well as mystery lovers. (Mystery/historical fiction. 12 & up)



7) "The Case of the Missing Moonstone" by Jordan Stratford

The future author of Frankenstein teams up with the future inventor of the computer to establish a young ladies' detective agency.

The fact that in real life Mary Shelley, nee Godwin, was 18 years older than Ada Lovelace, nee Byron, doesn't seem to bother Stratford one whit. He simply reduces the age difference by 15 years and arranges for Mary to be sent to Ada's house for tutoring. Their tutor is a hapless Percy Shelley (bumblingly incognito); illicitly sharing Mary's carriage every day is a cheerful young Charles Dickens. Young readers unencumbered by the knowledge that the setup is laughably ahistorical may enjoy the slight mystery, which unfolds when Mary and Ada decide to spice up their routine by investigating interesting crimes. They will probably warm to Mary’s steady intelligence. They will certainly relish Ada's many eccentricities, especially the hot air balloon she keeps tethered to her roof and her willingness to store Shelley in the distillery closet when he gets in the way. But even the most credulous child may find it very hard to believe that a Victorian family submits to the interrogation of two strange girls about a lost gem under the guise of a school project. An author’s note attempts to correct the text’s inaccuracies.

At best readers won't get it, and at worst they will believe it. (Historical mystery. 8-12)




Thursday, December 10, 2015

Fiction Book List

Want something to read?  Check out this book list...



1) "Because You'll Never Meet Me" by Leah Thomas

Opposites attract—and repel—in Thomas' epistolary debut novel.

Ollie sees his new German pen pal, Moritz, as a potential lifeline. Ollie’s allergy to electricity has exiled him and his mother to a cabin in the Michigan woods with little company besides Auburn-Stache, his unconventional doctor, and Liz, a girl who brings him news from the world of TVs and humidifiers. Buzzing with awkward wisecracks and restless energy, he draws the aloof, sardonic Moritz into conversation. Rescued from a lab, Moritz requires a pacemaker and lacks eyes, but he insists he isn't blind; he can acutely sense his surroundings by clicking his tongue. Unfortunately, superecholocation and sarcasm don't help him fight a bully or approach Owen, the boy who treats him like a human. Ollie and Moritz need each other, even if they won't admit it. Isolation and the intimacy afforded by distance sharply focus the characters' developments; their personalities take shape quickly, and their relationship deepens as they play off each other’s anecdotes and insults. The humorous and increasingly emotional exchanges create cliffhangers, culminating in occasionally disturbing revelations about the boys' origins. Their link is heavily foreshadowed, while other plotlines remain open enough to give the ending a sense of anticipation as well as satisfaction.

A witty, unusual take on friendship and parlaying weakness into power. (Fiction. 14 & up)



2) "Tunnel Vision" by Susan Adrian

What happens when your special talent is especially dangerous?

Jake’s ability to form a mental link to anyone he’s holding a personal possession of—what he calls “tunneling”—has always been a secret. Only his best friend and his dad knew, and now his dad’s dead. But when he tries to impress his friends by tunneling at a party, his secret escapes, and his entire life is soon overthrown by government agents who convince him that he has a duty to save lives. No longer free to live as a regular teenager, Jake only hopes that he can protect the people who mean the most to him—his mother and sister. An exciting plot paired with a sympathetic protagonist makes for a roller-coaster adventure that asks some big moral questions: Is it ethical to tunnel into another person’s mind, even to do good? Which is more important, the individual or the country? The action moves at a quick pace that fans of adventure fiction will appreciate while still leaving room for deeper contemplation. Toward the end of the book, convenient plot twists drive the action, but readers may not notice, caught up as they’ll be in the web of terror and deceit.


Danger, intrigue, a dash of romance, and a good, hard look at ethical dilemmas—a pretty complete package. (Paranormal thriller. 15-18)



3) "Everything, Everything" by Nicola Yoon

Suffering from “bubble baby disease,” Madeline has lived for 18 years in a sterile, sealed house with her physician mother.

Madeline is a bright, witty young woman who makes the best of life with a compromised immune system by playing games with her mother, studying with online tutors, and writing brief spoiler book reviews on Tumblr. Her life is turned upside down when a troubled new family moves in next door and she sees Olly for the first time. Olly, a white boy “with a pale honey tan” and parcours moves, wants to meet her, but Madeline’s mother turns him away. With the help of an indestructible Bundt cake, Olly perseveres until he gets her email address. Madeline—half Japanese, half African-American—chronicles her efforts to get to know Olly as she considers risking everything to be with him. She confides to her wise and understanding nurse, Carla, the truth she keeps from her overprotective mother: that it’s painfully hard to be a teenager with a crush, yearning to venture outside and experience the world. Spot art by the author’s husband, occasional lists in Madeline’s handwriting, emails, and instant-messaging transcripts add a lively dimension to Madeline’s quirky character. In her debut, Jamaican-American Yoon gives readers complex characters and rich dialogue that ranges from humorous to philosophical.

This heartwarming story transcends the ordinary by exploring the hopes, dreams, and inherent risks of love in all of its forms. (Fiction. 12-17)




4) "Mindwalker" by A.J. Steiger

A girl living in a dystopic future United States divided into castes has the ability to enter other people’s brains and erase selected memories.

Lain, 17, may still be in high school, but her future career as a Mindwalker seems set, and it’s exactly what she wants to do with the rest of her life. At school she meets Steven, an odd boy designated Type Four and required to wear a collar that monitors his bodily functions and tranquilizes him if he becomes violent. Lain, deliberately walking in her late father’s footsteps, truly believes she provides a necessary psychological service by eradicating painful memories. When Steven, the victim of atrocious child abuse, asks her to erase his memories illegally, she reluctantly agrees. When Lain learns that her activities have been detected, however, she must choose between her longed-for career and escape to Canada. Meanwhile, she finds herself far too attracted to Steven, a boy with whom she could not possibly have a future. Steiger creates extreme but mostly believable characters and a vivid future world with just enough familiar elements to lend it credence. Although some of the drama hinges on a standard mad-scientist plot rather than the dystopia within which he operates, on the whole the book manages to balance plot with thought-provoking contemplation about what makes personalities complete.

An intriguing read that sets genre fans up neatly for its sequel. (Dystopian romance. 12-18)



5) "Dead to Me" by Mary McCoy

A privileged girl turns detective in a gritty noir thriller about the not-so-glamorous side of Hollywood in the 1940s.

Alice Gates has always lived a comfortable life in her spacious Hollywood home. Her father does PR for a prestigious studio, and Alice and her sister, Annie, have spent their childhood hobnobbing with famous movie stars and attending glitzy parties. Suddenly, when Alice is 12, Annie leaves home with no explanation. Four years later, Alice receives a call that her sister is in the hospital, beaten and unconscious. As Alice tries to track down Annie’s assailant, she finds herself in the thick of a Tinseltown that isn’t quite so shiny, one full of runaways, pornographers, malicious gangsters, crooked cops and psychotic movie stars. As she begins to pick her way through the tangled web, she learns that the present-day events may ultimately lead back to the truth about her sister's leaving home all those years ago. McCoy's mystery unfolds slowly and cautiously, offering enough clues—and red herrings—to keep readers hooked. Its conclusion is tidily, perhaps a bit too conveniently, resolved, but against the richly envisioned backdrop of golden-age Hollywood's sinister underbelly, this minor quibble is easily forgiven.

Step aside, Nancy Drew; this dark mystery holds nothing back. (Historical mystery. 13 & up)



6) "It's A Wonderful Death" by Sarah J. Schmitt

Rowena Joy Jones isn’t supposed to be dead.

When a Grim Reaper named Gideon mistakenly collects 17-year-old RJ’s soul, RJ demands he send her back; however, returning to the land of the living isn’t as simple as hopping on the next Soul Mover. First, the beautiful, popular, and cruel RJ must face a Tribunal of angels who will decide her fate. As sending RJ back means rewinding time and altering the chain of events leading up to her accidental death, RJ needs to prove she can change her ways, becoming worthy of returning to Earth to live out her remaining days. If she fails the tasks set forth by the Tribunal, she’ll be forced to hang around the Afterlife until her official death date, at which time she can be “processed,” face Judgment, and move on to Heaven…or that other place. The Afterlife is a fully realized world comprising a mix of Judeo-Christian belief and Greek mythology, and it is populated by a colorful host of characters: sarcastic Guardian Angels, a hunky St. Peter, a soul-gobbling, three-headed dog, and even Death Himself. RJ’s first-person narration is alternately facetious and reverent. The novel’s only weakness lies in not giving readers enough of RJ’s mean-girl background to contrast with the effort she puts into redeeming herself.

Fun, funny, and full of life. (Fantasy. 12-18)



7) "Skyscraping" by Cordelia Jensen

A teenage girl grapples with her family’s growing pains.

Set in early 1990s Manhattan as the AIDS crisis was hitting its peak, Jensen’s semiautobiographical debut novel in verse explores how shifting parental dynamics can affect a household. At the novel’s start, Miranda “Mira” Stewart has always been a dedicated student and engaged daughter, devoted to her academician father and younger sister and struggling to relate to her self-involved artist mother. Her biggest concerns are what theme to choose as she takes the editorial helm of her high school yearbook, how to negotiate the absence of her recently graduated boyfriend, and filling out college applications—all typical senior-year fare. “But the constellation of a family / can shift shape / in seconds.” When Mira discovers her father in a compromising position with his male teaching assistant, both her image of him and her understanding of her parents’ relationship collapse. Mira withdraws from her family and acts out at school, at first unwilling to forgive her parents for having kept a crucial part of their relationship hidden. Throughout, Jensen’s spare free-verse poems and accessible imagery realistically portray the fraught moments of adolescent identity formation with great empathy.

Compelling snapshots of contemporary family drama and the AIDS epidemic as captured through a teen’s eyes. (Historical fiction/verse. 14 & up)



Wednesday, December 9, 2015

Crime Novels You Should Pay Attention To Book List

Do you enjoy crime novels? Are you tired of Patterson? Check out this book list...




1) "The Stranger You Seek" by Amanda Kyle Williams

A suspenseful tale of a clever crime-solver who gets a little too close to the action.

Lt. Aaron Rauser needs help catching what seems to be a new serial killer in his Atlanta stomping ground. He knows that the woman for the job is his old friend and crime-solving compatriot Keye Street. Keye’s not the kind of woman you mess around with, and while the folks on the force don’t like that she’s freelancing in their department, there’s not much they can do about it. Keye was on track to be a well-respected FBI profiler before an inconvenient addiction to booze got in the way. Now that she’s back on her feet, this tough and whip-smart investigator has opened her own small-time business. Although chasing bail jumpers keeps Keye and her hacker sidekick Neil in modest money, hunting down the deranged psychopath the Atlanta papers have dubbed the Wishbone Killer is just Keye’s piece of pie. The trouble is that the closer Keye seems to get to Wishbone, the more the killer seems to know about her: her thoughts, her feelings and even a few things she’s barely admitted to herself. As the action shifts from seemingly random events to targeted, graphic and brutal acts of violence, Keye is thrust from the role of hunter to hunted.

Williams (Club Twelve, 1994, etc.) creates a frightening and occasionally witty novel, perfect for those who can sleep with one eye open. Think Mary Higgins Clark with an edge.




2) "Case Histories" by Kate Atkinson

After two self-indulgent detours, Atkinson proves that her Whitbread Award–winning debut, Behind the Scenes at the Museum (1996), was no fluke with a novel about three interconnected mysteries.

They seem totally unrelated at first to private detective Jackson Brodie, hired by separate individuals in Cambridge, England, to investigate long-dormant cases. Three-year-old Olivia Land disappeared from a tent in her family’s backyard in 1970; 34 years later, her sisters Amelia and Julia discover Olivia’s stuffed toy in their recently deceased father’s study and want Jackson to find out what he had to do with the disappearance. Theo Wyre’s beloved 18-year-old daughter Laura was murdered by a knife-wielding lunatic in 1994, and he too hires Jackson to crack this unsolved murder. Michelle was also 18 when she went to jail in 1979 for killing her husband with an ax while their infant daughter wailed in the playpen; she vanished after serving her time, but Shirley Morrison asks Jackson to find, not her sister Michelle, but the niece she promised to raise, then was forced to hand over to grandparents. The detective, whose bitter ex-wife uses Jackson’s profound love for their eight-year-old daughter to torture him, finds all these stories of dead and/or missing girls extremely unsettling; we learn toward the end why the subject of young women in peril is particularly painful for him. Atkinson has always been a gripping storyteller, and her complicated narrative crackles with the earthy humor, vibrant characterizations, and shrewd social observations that enlivened her first novel but were largely swamped by postmodern game-playing in Human Croquet (1997) and Emotionally Weird (2000). Here, she crafts a compulsive page-turner that looks deep into the heart of sadness, cruelty, and loss, yet ultimately grants her charming p.i. (and most of the other appealingly offbeat characters, including one killer) a chance at happiness and some measure of reconciliation with the past.

Wonderful fun and very moving: it’s a pleasure to see this talented writer back on form.





3) "Tripwire" by Lee Child

A good guy outsmarts a venomous viper, outguns a gazillion villains—and falls in love with a nice gal. Continuing at loose ends after being separated from the Army (the peace dividend, you know), former MP Major Jack Reacher (Die Trying, 1998, etc.) is down in Key West rather enjoying irresponsibility—until a private investigator shows up looking for him. The following day the p.i. turns up dead, fingertips sliced off for the purpose of preserving his incognito. Something nefarious is going on here, Reacher concludes, stirred by a burst of the old action-hero adrenaline. All he knows for sure, however, is that the detective was hired by a Ms. Jacob. Pause for a deductive leap or two, then on to New York to track down the mysterious Ms. Jacob. But what’s in a name? It soon develops that Ms. J isn’t mysterious at all. In fact, she’s an old friend. Before she was married, the Ms. J., now divorced, was a J already—Jodie Garber, daughter of General Garber, Reacher’s erstwhile commanding officer and mentor. Reacher last saw her when she was 15 and in the throes of a violent crush on him. Now she’s 30, and as gorgeous as you might have guessed. Among other things, she needs Reacher to finish a task begun by her recently deceased father. Reacher accepts the mission, of course, and is immediately in confrontation with a sadistic demon, obligatorily brilliant, whose intricate scam has roots in Vietnam and whose pleasure in killing and maiming is unconfined. But love (for Jodie) has not blunted Reacher’s martial capabilities, and from a climactic one-on-one with Hook (the sadistic demon) Hobie, he emerges scathed but triumphant. Unabashedly mindless but fun: Reacher swashbuckles with the best of them.

Book Three of Twenty--to see other titles check in County Cat






4) "The Killing Hour" by Lisa Gardner

A cunning serial killer plays devilish mind games with his would-be captors—and what else is new?

Not much. Well, he does have this penchant for pluralizing. That is, he grabs his young women in pairs. Why pairs? He uses corpse one for the planting of clues sufficient to allow law enforcement—if law enforcement is astute enough—to find corpse two alive. “Eco-Killer,” he’s been tabbed because in addition to his passion for gamesmanship, he seems to have an ongoing love-hate relationship with the environment. From Georgia, scene of the first killings, we shift to Virginia, where Special Agent Mac McCormack of the Georgia Bureau of Investigation has been on the case from the outset. He’s been directed to Virginia by a barrage of enigmatic phone calls from someone who claims to know how the serial killer’s sly and twisted mind works. In Quantico, a training ground for FBI agents as well as for US Marines, Mac meets fledgling feebie Kimberly Quincy, daughter of former agent Pierce Quincy, famous throughout the service for his legendary exploits as a profiler. When the Eco-Killer strikes again, Quincy and his p.i. partner Lorraine Conner, mainstays of the series, (The Next Accident, 2001, etc.), are called in to consult, but the case really belongs to the captivating Kimberly and hunkish Mac (with their bods for sex and brains for high-powered detecting). Convinced there’s a chance to save a life if they can manage to solve the killer’s puzzle in time, the two desperately seek clues from botanists, biologists, entomologists, and a variety of other analysts. Something from here, something from there, and at last they can make the guess that plunges them deep into Virginia’s Shenandoah National Park, where the game plays out to a fiery end.

Too much psychobabble, technobabble, and envirobabble, yet the appeal of the young sleuths (smart, funny, tough) almost saves the day.

Book Four of Six: The Perfect Husband, The Third Victim, The Next Accident, Gone and Say Goodbye






5) "No Second Chance" by Harlan Coben

Once again, Coben (Gone for Good, 2002, etc.) expertly tugs at a suburban citizen’s most ordinary fears until he finds a mind-boggling criminal conspiracy at the other end of the line.

Pediatric reconstructive surgeon Marc Seidman’s family life ends with two shots into his body and another into his wife Monica’s, leaving her as dead as Marc was supposed to be. When he awakens 12 days later, he learns that his baby girl Tara has disappeared from his home as well. There’s a ransom demand, and Monica’s wealthy, remote father is happy to pay the freight, but Marc ignores Edgar Portman’s wishes, tips off the police and the FBI, and loses the money, any hope of recovering Tara, and his crackhead sister Stacy, who dies of an overdose soon after the cops tie her to the abduction. Eighteen months later, though, the kidnappers give Marc the second chance they swore they wouldn’t: For another $2 million, they’ll return Tara, whose hair samples they’ve already sent to her grandfather. And now Marc has a new ally, his college girlfriend Rachel Mills, a former FBI agent who just happens to have turned up again. If you think Marc and Rachel will outfox the kidnappers this time around, you don’t know Coben, who’s looking way past the second abortive ransom drop to a racket that entangles a washed-up child TV star, the protector she met in the loony bin, an improbably successful adoption lawyer, and assorted Serbian extras. And just in case these malefactors aren’t enough, he casts suspicion on Dina Levinsky, the abused girl who used to live in Marc’s house; on Rachel (how did her husband get shot to death?); and even on Marc himself (why were he and Monica shot with two different weapons?).

Irresistibly overstuffed. Coben has blossomed into the male Mary Higgins Clark.







6) "Still Missing" by Chevy Stevens

Stevens’s blistering debut follows a kidnap victim from her abduction to her escape—and the even more horrifying nightmare that follows.

One moment, Vancouver Island realtor Annie O’Sullivan is taking one last client, a quiet, well-spoken man with a nice smile, through the property where she’s holding an open house; the next moment, she’s being marched out to a van at gunpoint, unaware that it’s the last time for months that she’ll see the sky or breathe the open air. The man who’s taken her calls himself David; she calls him The Freak. And her ordeal over the next year, described in unsparing detail in a series of lacerating sessions with her psychiatrist, indicates that her name is a lot more accurate than his. Annie is fondled, beaten, raped and starved by a man whose troubled background has evidently convinced him that she wants him to treat her with exactly this combination of brutality and solicitude. Worse still, she internalizes his obsessive rules (meals and bathroom breaks on a strict schedule, ritual baths and sex, complete control of every word she speaks and her tone of voice) so completely that she remains terrified of breaking them. Months after her miraculous return to the world she wondered if she’d ever see again, she’s still cowering every night in her closet, unable to hold her own in anything like a normal conversation with her flirtatious, irresponsible mother, her best friend Christina, her restaurateur boyfriend Luke, or any of the dozens of interviewers who stalk her, “just sadists with a bigger paycheck” than The Freak. Worst of all is the dawning realization, fostered by sympathetic, no-nonsense Staff Sgt. Gary Kincade, that The Freak had at least one accomplice who helped him select his victim—perhaps an accomplice who had a particular reason to wish Annie ill.

A grueling, gripping demonstration of melodrama’s darker side. As Annie tells the cops who insist that everything’s OK because she’s safe: “I was never going to be okay, or safe.”







7) "Kisscut" by Karin Slaughter

If novels were sold with parental advisories, Dr. Sara Linton’s second case (after Blindsighted, 2001) would be plastered with every warning notice they make. The opening sequence, in which Sara’s ex, Grant County police chief Jeffrey Tolliver, is forced to shoot Jenny Weaver, a troubled teenager who’s apparently just tried to flush a newborn baby down a skating-rink toilet when Jenny draws down on Mark Patterson and begs the chief to shoot first, would get an R for violence and adult themes. The autopsies on Jenny and the baby offer horrifying reasons why Sara can be sure Jenny wasn’t the mother and hadn’t been sexually active for months. The interviews with Jenny’s trash-talking classmates are starkly depressing. And the questions revolving around the ensuing investigation—who were the baby’s parents, and why was Jenny so determined either to kill Mark or die herself?—only broaden into still more monstrous revelations, beginning with a web of child abusers and getting ever darker until they overflow the whodunit’s traditional promise of closure. Readers prepared to take the plunge will be rewarded with the uncommon intensity Slaughter brings to everything from action to dialogue and her peculiarly literary sense of humor (in addition to characters named Eddie Linton and Hare Earnshaw, she dubs a pedophile Arthur Prynne).

It’s not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing.