Wednesday, October 21, 2015

Mythopoeic Fantasy Award Book List

The Mythopoeic Fantasy Award for Adult Literature is given to the fantasy novel, multi-volume novel, or single-author story collection for adults published during the previous year that best exemplifies "the spirit of the Inklings". Books not selected as finalists in the year after publication are eligible for a second year. Books from a series are eligible if they stand on their own; otherwise, the series becomes eligible the year its final volume appears.

Check out the book list...



1) "The Golem and the Jinni" by Helene Wecker

Can’t we all just get along? Perhaps yes, if we’re supernatural beings from one side or another of the Jewish-Arab divide.

In her debut novel, Wecker begins with a juicy premise: At the dawn of the 20th century, the shtetls of Europe and half of “Greater Syria” are emptying out, their residents bound for New York or Chicago or Detroit. One aspirant, “a Prussian Jew from Konin, a bustling town to the south of Danzig,” is an unpleasant sort, a bit of a bully, arrogant, unattractive, but with enough loose gelt in his pocket to commission a rabbi-without-a-portfolio to build him an idol with feet of clay—and everything else of clay, too. The rabbi, Shaalman, warns that the ensuing golem—in Wecker’s tale, The Golem—is meant to be a slave and “not for the pleasures of a bed,” but he creates her anyway. She lands in Manhattan with less destructive force than Godzilla hit Tokyo, but even so, she cuts a strange figure. So does Ahmad, another slave bottled up—literally—and shipped across the water to a New York slum called Little Syria, where a lucky Lebanese tinsmith named Boutros Arbeely rubs a magic flask in just the right way and—shazam!—the jinni (genie) appears. Ahmad is generally ticked off by events, while The Golem is burdened with the “instinct to be of use.” Naturally, their paths cross, the most unnatural of the unnaturalized citizens of Lower Manhattan—and great adventures ensue, for Shaalman is in the wings, as is a shadowy character who means no good when he catches wind of the supernatural powers to be harnessed. Wecker takes the premise and runs with it, and though her story runs on too long for what is in essence a fairy tale, she writes skillfully, nicely evoking the layers of alienness that fall upon strangers in a strange land.

Two lessons: Don’t discount a woman just because she’s made of clay, and consider your wishes carefully should you find that magic lamp.




2) "Doll Bones" by Holly Black

A middle-grade fantasy dons the cloak of a creepy ghost tale to deliver bittersweet meditations on the nature of friendship, the price of growing up and the power of storytelling.

The lifelong friendship of Zach, Poppy and Alice revolves around their joint creation, an epic role-playing saga of pirates and perils, queens and quests. But now they are 12, and their interests are changing along with their bodies; when Zach’s father trashes his action figures and commands him to “grow up,” Zach abruptly quits the game. Poppy begs him to join her and Alice on one last adventure: a road trip to bring peace to the ghost possessing her antique porcelain doll. As they travel by bus and boat (with a fateful stop at the public library), the ghost seems to take charge of their journey—and the distinctions between fantasy and reality, between play and obligation, begin to dissolve....Veteran Black packs both heft and depth into a deceptively simple (and convincingly uncanny) narrative. From Zach’s bitter relationship with his father to Anna’s chafing at her overprotective grandmother to Poppy’s resignation with her ramshackle relations, Black skillfully sketches their varied backgrounds and unique contributions to their relationship. A few rich metaphors—rivers, pottery, breath—are woven throughout the story, as every encounter redraws the blurry lines between childishness and maturity, truth and lies, secrecy and honesty, magic and madness.

Spooky, melancholy, elegiac and ultimately hopeful; a small gem. (Fantasy. 10-14)





3) "The Freedom Maze" by Delia Sherman

It’s 1960, but on the decayed Fairchild sugar plantation in rural Louisiana, vestiges of a grimmer past remain—the old cottage, overgrown garden maze, relations between white and black races.

Stuck for the summer in the family ancestral home under the thumb of her cranky, imperious grandmother, Sophie, 13, makes a reckless wish that lands her in 1860, enslaved—by her own ancestors. Sophie’s fair skin and marked resemblance to the Fairchilds earn her “easy” employment in the big house and the resentment of her peers, whose loyalty she’ll need to survive. Plantation life for whites and blacks unfolds in compelling, often excruciating detail. A departure from Sherman’s light fantasy Changeling (2006), this is a powerfully unsettling, intertextual take on historical time-travel fantasy, especially Edward Eager’s Time Garden (1958), in which white children help a grateful enslaved family to freedom. Sophie’s problems aren’t that easily resolved: While acknowledging their shared kinship, her white ancestors refuse to see her as equally human. The framing of Sophie’s adventures within 1960 social realities prompts readers to consider what has changed since 1860, what has not—for Sophie and for readers half a century later—and at what cost.

Multilayered, compassionate and thought-provoking, a timely read on the sesquicentennial of America’s Civil War. (Historical fantasy. 12 & up)



4) "A Conspiracy of Kings" by Megan Whalen Turner

With each volume of this stellar series, the question arises anew: How will the text deceive its readers now that we’re able to recognize Eugenides’s lies? This time, it’s through the first-person narration of Sophos, the excruciatingly honest (but underinformed) heir to the kingdom of Sounis. As civil war brews, the young man is plucked from his bookish rustication by kidnappers desiring a puppet king. Sophos escapes only by finagling himself into slavery. It’s an oddly pleasant interlude for him; after a lifetime of training for an unwanted royalty, Sophos treasures the choicelessness of his relatively benevolent servitude. Alas, he knows his responsibilities. When the opportunity comes, Sophos escapes and turns to his old friend Eugenides for help. Sophos, with aid from Eugenides and the queens of Attolia and Eddis, plots the recovery of Sounis. In a heartbreaking chain of machinations, they negotiate the responsibilities of kingship when they’d rather be operating as friends. Sophos’s straightforward stubbornness is a refreshing antidote to his world’s lies and a fascinating lens on Eugenides. For series fans, unmissable. (Fiction. 12-15)


Book Four of Four: The Thief, The Queen of Attolia, and The King of Attolia


5) "Where the Mountain Meets the Moon" by Grace Lin

To change her family’s fortunes, a poor Chinese girl embarks on a fantastical quest to discover she already has everything she needs to be happy. Minli and her parents live in the shadow of Fruitless Mountain, where they toil endlessly. Bitter and resentful, Minli’s mother complains when her husband fills Minli’s imagination with enchanting tales of Never-Ending Mountain and the Old Man of the Moon. “Eager for adventure,” Minli sets out alone seeking advice from the Old Man of the Moon. En route she befriends a dragon who joins her quest. Together they encounter a talking goldfish, a boy with a buffalo, a king, a fierce green tiger and laughing twins before scaling Never-Ending Mountain. Lin deftly incorporates elements from Chinese folk- and fairy tales to create stories within the main story and provide context for Minli’s quest. With her “lively and impulsive spirit,” Minli emerges a stalwart female role model who learns the importance of family, friendship and faith during her amazing journey. Richly hued illustrations reinforce the Chinese folk theme. (author’s note) (Fantasy. 8-12)






6) "Graceling" by Kristin Cashore

An assured fantasy debut grapples with questions of identity, authenticity and autonomy. Lady Katsa is a Graceling, with an inborn magical gift marking her as both feared outcast and exploitable resource. While her peculiar Grace—the unsurpassed ability to kill—has been honed over the years by her uncle the king to bully and punish, Katsa has also secretly used it to bring a measure of justice to the Seven Kingdoms. When she encounters a strange prince whose mysterious Grace may just be a match for her own, she learns the corrosive seduction of power corrupted, but also the courage to trust others—and herself. Katsa is an ideal adolescent heroine, simultaneously confident of her strengths yet unsure of her place in the world. Every character is crafted with the same meticulous devotion to human comprehensibility, making the villain all the more appalling in his understated, twisted madness. In a tale filled with graphic violence and subtle heartbreak, gentle passion and savage kindness, matter-of-fact heroics and bleak beauty, no defeat is ever total and no triumph comes without cost. Grace-full, in every sense. (Fantasy. 14 & up)





7) "Corbenic" by Catherine Fisher

A sullen teen is unwillingly cast as the hero in a modern replay of the Grail Quest. Cal has struggled all his life with his alcoholic, schizophrenic mother, so he leaps at the opportunity to escape offered by his fastidious uncle. But on the way to join him, he accidentally gets off the train in Corbenic, where he encounters a man who calls himself the Fisher King and whose magnificent castle becomes suddenly derelict when Cal refuses to acknowledge the Grail. Fisher ably splices the Arthurian legend into Cal’s very modern quest for self-determination, introducing a band of historical re-enactors who claim to be immortal and with whom Cal becomes increasingly involved, as he discovers the sterility that underlies the life he used to covet. It is only when Cal yields to the inevitability of his quest that he is able to free himself from the shadows cast by his mother, his acceptance of responsibility for the healing of the land an expiation of his guilt at having deserted her. The teen’s progress is rarely seen in mythic terms, but here it works just right.(Fiction. 12+)



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