1) "Beastly" by Alex Flinn
Cavalier and cruel, Kyle Kingsbury rules as prince of an upper-crust school until he angers the wrong Goth girl, who casts a spell that makes him look as ugly as his inner self. When claws, fur and fangs appear, Kyle is confined to a Brooklyn brownstone, where he grows roses, paws through The Hunchback of Notre Dame and IMs other transformed kids. Flinn’s contemporary adaptation of Beauty and the Beast pulls fairy tales and classics like Phantom of the Opera into the context of modern teen life. Kyle’s hilarious chat-room sessions most effectively exploit clever convergences of old and new. Chris Anderson moderates (sans Hans), while BeastNYC (Kyle), Froggie (a webbed prince) and SilentMaid (a little mermaid) offer support using the virtual vernacular. Teens will LOL. They will also find their preoccupations with looks, status and pride explored thoroughly. When Lindy, Kyle’s Beauty, moves in, much of the interesting adaptive play recedes, but teens will still race to see if the beast gets his kiss, lifts the curse and lives happily ever after. (Fiction. YA)
2) "Invisible City" by M.G. Harris
3) "The Knife Of Never Letting Go" by Patrick Ness
Todd Hewitt has never known quiet. Growing up on an alien planet where thoughts are broadcast and animals speak, 12-year-old Todd is the last boy in a town of men. He quickly goes from outcast to target after finding two surprises in Prentisstown’s swamp: a wrecked colony spaceship and Viola, the first girl he has ever seen. In fleeing Prentisstown, Todd and Viola discover its ugly history and terrifying plans. Uneven pacing and an unbelievable premise hobble this work, Ness’s first attempt at YA fiction. Events pile up and then freeze while Todd addresses an emotional crisis. Viola’s page presence is so weak as to be forgettable, though Manchee, Todd’s loyal dog, will grow on readers as the narrative progresses. Ness’s attempt to develop Todd’s character by including colloquialisms in nearly every aspect of the narrative only succeeds in driving readers out of the tale. Attempting to address adolescent angst, information overload and war, Ness ends up delivering merely noise. (Science fiction. YA)
Book One of Three: The Ask and the Answer and Monsters of Men
4) "Death Comes to Pemberley" by P.D. James
Yes, that’s right: Now that she’s made her farewells to Adam Dalgliesh (The Private Patient, 2008, etc.), Baroness James has turned to a Jane Austen sequel.
Six years after the marriage that ended Pride and Prejudice, Fitzwilliam Darcy and his wife, the former Elizabeth Bennet, are on the eve of giving their annual Lady Anne’s Ball when their preparations are complicated first by intimations that Darcy’s sister Georgiana is being courted by both her cousin Colonel Fitzwilliam and rising young lawyer Henry Alveston, then by the Colonel’s sudden decision to take his horse for a solitary late-night ride and finally and most disastrously by the unexpected, unwanted arrival of Lizzy’s sister Lydia. Bursting from her coach, Lydia shrieks her fears that her husband, Lt. George Wickham, has been murdered by his friend Capt. Martin Denny, whom he followed into the wood when Denny abruptly insisted on abandoning the coach carrying them to Pemberley. In fact it looks very much the other way around: Denny is the one who’s dead, and Wickham, bending over his body, blurts out that he killed him. Readers of Pride and Prejudice know that Wickham is a thorough scoundrel, but can he really have murdered his only friend? His averrals that he meant only that his quarrel with Denny sent him out into the wood, where he met his death at unknown hands, don’t impress the jurors at the coroner’s inquest or the trial that follows. Most of these developments, cloaked in a pitch-perfect likeness of Austen’s prose, are ceremonious but pedestrian. The final working-out, however, shows all James’ customary ingenuity.
The murder story allows only flashes of Austenian wit, and Lizzy is sadly eclipsed by Darcy. But the stylistic pastiche is remarkably accomplished, and it’s nice to get brief updates on certain cast members of Persuasion and Emma as a bonus.
5) "Ashfall" by Mike Mullin
"The pre-Friday world of school, cell phones, and refrigerators dissolved into this post-Friday world of ash, darkness, and hunger."
Left home alone for a weekend in Cedar Falls, Iowa, while his family visits relatives in Warren, Ill., 15-year-old Alex Halprin ends up fighting for survival trying to get to them through an America ravaged by the sudden eruption of the supervolcano under Yellowstone Park. Alex is characterized by the decisions he makes when confronted with moral dilemmas—dilemmas that have no straightforward, correct answers—resulting in a realistically thoughtful protagonist dealing with complex and horrifying situations. Before he's even left his hometown, Alex encounters looting and other behaviors born from realization of just how finite resources are in emergencies. Traveling to Warren, he's even more vulnerable, both to the elements and to the mercies of the people he encounters. Among the best people that Alex encounters are a girl named Darla and her mother, Mrs. Edmunds, both self-sufficient farmers. But any relief is temporary—threats both environmental and human are ever present. While the pain and suffering Alex witnesses and experiences is visceral, so are the moments of hope and glimpses of human goodness.
In this chilling debut, Mullin seamlessly weaves meticulous details about science, geography, agriculture and slaughter into his prose, creating a fully immersive and internally consistent world scarily close to reality. (author's note) (Speculative fiction. 14 & up)
6) "The House of the Scorpion" by Nancy Farmer
7) "American Gods" by Neil Gaiman
An ex-convict is the wandering knight-errant who traverses the wasteland of Middle America, in this ambitious, gloriously funny, and oddly heartwarming latest from the popular fantasist (Stardust, 1999, etc.).
Released from prison after serving a three-year term, Shadow is immediately rocked by the news that his beloved wife Laura has been killed in an automobile accident. While en route to Indiana for her funeral, Shadow meets an eccentric businessman who calls himself Wednesday (a dead giveaway if you’re up to speed on your Norse mythology), and passively accepts the latter’s offer of an imprecisely defined job. The story skillfully glides onto and off the plane of reality, as a series of mysterious encounters suggest to Shadow that he may not be in Indiana anymore—or indeed anywhere on Earth he recognizes. In dreams, he’s visited by a grotesque figure with the head of a buffalo and the voice of a prophet—as well as by Laura’s rather alarmingly corporeal ghost. Gaiman layers in a horde of other stories whose relationships to Shadow’s adventures are only gradually made clear, while putting his sturdy protagonist through a succession of tests that echo those of Arthurian hero Sir Gawain bound by honor to surrender his life to the malevolent Green Knight, Orpheus braving the terrors of Hades to find and rescue the woman he loves, and numerous other archetypal figures out of folklore and legend. Only an ogre would reveal much more about this big novel’s agreeably intricate plot. Suffice it to say that this is the book that answers the question: When people emigrate to America, what happens to the gods they leave behind?
A magical mystery tour through the mythologies of all cultures, a unique and moving love story—and another winner for the phenomenally gifted, consummately reader-friendly Gaiman.
8) "Gregor the Overlander" by Suzanne Collins
Book One of Five: Gregor and the Prophecy of Bane, Gregor and the Curse of the Warmbloods, Gregor and the Marks of Secret, and Gregor and the Cod of Claw
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