1) "Icons" by Margaret Stohl
Humanity’s only hope against an alien occupation is a quartet of teens with emotion-based superpowers.
When the aliens landed on Earth, they cowed humanity into submission with the mass murder of several cities via an electromagnetic field generated by the alien Icons. Dol somehow survived and, under the care of the compassionate Padre, has developed a deep friendship with fellow vaguely superpowered teenager Ro. They hide from the Embassy that “oversees” Earth–alien relations by shipping humans off to work as slaves on mysterious, never-defined projects. On Dol’s 17th birthday, the Padre gives her a mysterious book explaining who and what the Icon Children are. Inexplicably, she decides not to read it; this is part of a pattern of clunky information-withholding that sits awkwardly and frustratingly alongside exposition. Embassy soldiers capture Dol, and after an encounter with a more-than-he-seems mercenary, they bring Dol and Ro to the Embassy where they endlessly bicker with fellow Icon Children Lucas (the Ambassador’s son) and silver-haired Tima. With all that squabbling, readers will feel like they are reading the same scene over and over again without the payoff of plot progression. Dol’s torn between best friend Ro and mysterious new Lucas, yielding a clichéd romantic storyline. Top-secret documents filed between chapters make the invasion and mystery of the Icon Children more interesting than Dol’s narration does.
Those without superhuman patience should pass. (Science fiction. 12 & up)
2) "The Rules" by Stacey Kade
A likable science-fiction romance features strong co-protagonists who know where they come from, but not who they are.
Born in a GenTex lab with human and extraterrestrial DNA, Ariane gives new meaning to “test tube baby.” A lab employee, now her adoptive dad, rescued her from a nightmarish, lab-rat existence, thwarting Dr. Jacobs’ plans to mold her into a designer weapon (her abilities include mind reading and telekinesis). Following strict rules and hiding in plain sight, Ariane’s evaded capture for a decade, but GTX is closer than she realizes. Popular, athletic and good-looking Zane coaxes her into revealing herself, while hiding from her the wounds inflicted by his mother’s abandonment and police-chief father’s contempt. Reluctantly drafted by Dr. Jacobs’ granddaughter, Rachel, the plot’s evil catalyst, into her scheme to humiliate Ariane, Zane instead is intrigued and attracted. Ariane’s long-blocked powers come roaring back when Rachel pushes her buttons. Struggling to unite the disparate strands of her identity, Ariane’s an appealing original who (in a welcome departure from YA orthodoxy) does not have beauty-queen looks of which she’s modestly unaware. She and Zane know precisely where she stands in the appearance hierarchy. Cartoonishly evil, Dr. Jacobs and Rachel are less persuasive.
The traditional cliffhanger ending leaves readers hungry for the next course. (Science fiction. 12 & up)
3) "Spark" by Amy Kathleen Ryan
The sequel to Glow (2011) delivers a page-turning plot while delving deeper into questions of leadership, trauma and violence.
The girls of the Empyrean have returned to their ship after being kidnapped by the New Horizon. Waverly Marshall has endured and committed terrible acts aboard the New Horizon. She is tormented by both her own memories and a faction of younger girls who cannot forgive her for failing to rescue their parents. Kieran, who became the ship's de facto leader when the adults were taken out of the picture, delivers sermons designed to promote both unity and loyalty among his followers but is deeply anxious about his own power. Meanwhile, Seth, the former leader and third leg of a love triangle with Waverly and Kieran, escapes the brig under mysterious circumstances and discovers a major threat to the ship. As Waverly, Kieran, Seth and the large but generally well-constructed cast of supporting characters work—often at cross-purposes—to keep the peace, secure the ship and rescue their parents from the New Horizon, meaty political and moral questions arise. Is torture ever justified? What about imprisonment and surveillance? How does one stay human after doing something monstrous?
Readers hungry for the next installment will have plenty to ponder in the meantime. (Science fiction. 14 & up)
Book Two of Three
4) "A Confusion of Princes" by Garth Nix
Exuberant and insightful, this science-fiction bildungsroman grapples with the essential question: "Who am I?"
After 16 years of intensive training and superhuman augmentation, Khemri is ready to take his place as Prince of the mighty intergalactic Empire. Alas, he immediately finds out that his status isn't quite as exalted as he had always thought. To start with, there are tens of millions of Princes, and most of them are out to kill him. Khem must negotiate a deadly maze of military training, priestly recruitment and even Imperial interest, never knowing whom he can trust. He can rely only on himself—and all the mechanical, biological and psionic enhancements that far-future science can provide, until the day even that is stripped from him….From the riveting opening sentence to the final elegiac ruminations, this is rip-roaring space opera in the classic mold. Add a perfect protagonist: Overprivileged, arrogant and not nearly as clever as he thinks, Khemri's first-person narration is also endearingly witty, rueful and infinitely likable. Perhaps his account relies a bit too much on "had I but known" foreshadowing, and the secondary characters are thinly sketched accessories to the hero's personal journey. But the rocket-powered pace and epic worldbuilding (with just the right amount of gee-whiz technobabble) provide an ideal vehicle for what is, at heart, a sweet paean to what it means to be human.
Space battles! Political intrigue! Engineered warriors! Techno-wizardry! Assassins! Pirates! Rebels! Duels! Secrets, lies, sex and True Love! What more can anybody ask for? (Science fiction. 14 & up)
5) "Crewel" by Gennifer Albin
Too many slubs in the fabric of this dystopian romance land it in the "irregular" bin.
In Arras, men control everything except reality, which is continually woven and re-woven by Spinsters, all women. They labor at the behest of the patriarchal Guild to maintain a post-apocalyptic utopia. Despite being rigorously coached by her parents to fail her aptitude test, 16-year-old Adelice shows her incredible talent at weaving and is wrested violently from her home to labor in the Coventry for the rest of her life. There, she draws the attention of two handsome young men with electric-blue (or cobalt blue, or sometimes just bright blue) eyes, the oily and evil power-hungry ambassador of the Guild, various catty Spinsters and the Creweler, the most powerful Spinster of them all, who extracts the material that forms the reality of Arras from the ruined Earth. Adelice narrates in the genre's now–de rigueur present tense, whipsawing readers through her guilt, grief, fear, revulsion and lust as she learns the power structures of the Coventry and plots to escape. A genuinely cool premise is undermined by inconsistent worldbuilding, fuzzy physics, pedestrian language, characters who never move beyond stereotype and subplots that go nowhere (including a well-meaning but awkwardly grafted-in gay rights thread). These last may reemerge in the sequel that will follow one of the slowest cliffhangers in recent memory.
It's clear that Adelice cares deeply about her fate; it's debatable whether readers will. (Dystopian romance. 12-16)
6) "Article 5" by Kristen Simmons
In an unimpressive dystopian romance, a girl flees a repressive institution with the soldier she once loved.
After a war whose details never quite emerge, the U.S. government authorized the Federal Bureau of Reformation, better known as the Moral Militia, to arrest any citizen in violation of the stringent “Moral Statutes.” Ember's mom is arrested for violating Article 5—having conceived a child out of wedlock—and Ember is sent to a girls' rehab where rule-breakers are punished with violence and those who try to escape are shot. Ember does escape, however, with the help of Chase Jennings, a friend who joined the Moral Militia years earlier, and most of the book chronicles the pair's tense and treacherous journey in search of Ember's mother and safety. That the two have feelings for each other is immediately clear, but drawn-out misunderstandings and a tedious unwillingness to communicate keep the two travelers at odds. Despite the book's implicit critique of sexism (“[women]'s subservience” is mandated by the Articles), Chase is portrayed as knowledgeable, street-smart and in charge, while Ember is loose-tongued and impulsive, frequently requiring Chase's assistance to get out of a scrape.
There are a few engaging action scenes here and there, but overall, it's a disappointment for romantics, feminists and dystopia fans alike. (Dystopian romance. 12 & up)
7) "Unremembered" by Jessica Brody
What should a 16-year-old girl with no memories trust: her own instincts or the cryptic words of a boy who insists she knows him?
Our heroine washes ashore when the book opens, apparently the sole survivor of a plane crash. Dubbed Violet by a nurse after her (yes, violet) eye color, she becomes a national news story and is quietly sent to a foster family in northern California when no one steps forward to identify her. The only person she meets who claims to know her is a boy who appears mysteriously when she's alone and warns her that she's in danger. Short, dramatic, present-tense sentences move the action forward, and the book's central questions (who is Violet? who is following her? when will she start believing the boy who is clearly the romantic lead?) provide plenty of suspense. Although the mysterious boy is more of an archetype than a character in his own right, Violet's 13-year-old foster brother Cody is pleasingly funny, suspicious and competent. There are intriguing sci-fi elements at play, but analytical readers will notice holes in the workings of genetics and the logistics of time travel.
Fast-paced and sure to satisfy romance-oriented readers, if not skeptics. (Science fiction. 12-18)
Book One of Three
8) "Blood Red Road" by Moira Young
Born on Midwinter Day, Saba and her twin brother Lugh are opposites—she’s dark, scrawny and cantankerous, while he exudes calm with his golden beauty—but that doesn't stop her from rising to the occasion when he needs her.
Weeks before their 18th birthday, four rough horsemen ride into their isolated, desert homestead, killing their star-reading Pa and taking Lugh captive. Saba embarks on a treacherous journey to save Lugh, with her pet crow, Nero, and her 9-year-old sister, Emmi, in tow. Saba and Emmi are kidnapped by slavers, who sell Saba to the Cage Master of the Colosseum, where she becomes known as the Angel of Death. Overseeing this macabre world is a king who keeps people in check with a narcotic, convincing them to renew his life by sacrificing a boy born on Midwinter Day. Saba learns about Lugh’s fate from Jack, a fellow prisoner. With the help of Nero and a group of freedom fighters, Jack and Saba escape and rush to Lugh’s rescue. This debut is a mashup ofSpartacus, the court of Louis XIV and post-apocalyptic dystopia. Saba’s naive, uneducated voice narrates this well-paced heroic quest in dialect, an effective device for this tale that combines a love story, monsters and sibling rivalry.
Readers looking for a strong female protagonist will find much to look forward to in this new series. (Science fiction. 12 & up)
Book One of Three
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