Monday, May 2, 2016

Blogger Choice Book List

Here are some of my current favorite books. These are ones that I enjoyed and hope that you do too. Check out this book list...




1) "Hero" by Perry Moore

Superman had kryptonite, and Thom, the teenaged basketball star and son of the now-retired Major Might, tries hard to keep his own Achilles heel—being gay—under the radar. His powers of healing seem to bring him nothing but bad press, however, especially when he decides to go out for a superhero-like boot camp headed up by the League, the sworn protectors of Moore’s Metropolis-like city. At first, Thom seemingly botches every one of his team’s missions, but when a series of hero-murders threaten world destruction, a cigarette-smoking, foul-mouthed seer assures him that soon enough his strength, powers and sexuality will play a role in saving humankind. Despite the near-ridiculous superhero theme running through this first novel, the interpersonal relationships between Thom and his likable, equally tortured compadres keep the plot’s feet on the ground. Capes, X-ray vision, tights and cheesy superhero spoofs run amuck. Despite a few half-hearted attempts at realism, the book reads like a complicated yet quick-moving adult novel. Disappointingly, Moore doesn’t dig deeper into Thom’s newly found gay world past his coming out, and no doubt readers will be curious as to how he survives in his new skin. (Fiction. YA)



2) "The Wednesday Wars" by Gary D. Schmidt

It’s 1967, and on Wednesdays, every Jewish kid in Holling Hoodhood’s class goes to Hebrew School, and every Catholic kid goes to Catechism. Holling is Presbyterian, which means that he and Mrs. Baker are alone together every Wednesday—and she hates it just as much as he does. What unfolds is a year of Wednesday Shakespeare study, which, says Mrs. Baker, “is never boring to the true soul.” Holling is dubious, but trapped. Schmidt plaits world events into the drama being played out at Camillo Junior High School, as well as plenty of comedy, as Holling and Mrs. Baker work their way from open hostility to a sweetly realized friendship. Holling navigates the multitudinous snares set for seventh-graders—parental expectations, sisters, bullies, girls—with wry wit and the knowledge that the world will always be a step or two ahead of him. Schmidt has a way of getting to the emotional heart of every scene without overstatement, allowing the reader and Holling to understand the great truths swirling around them on their own terms. It’s another virtuoso turn by the author of Lizzie Bright and the Buckminster Boy (2005). (Fiction. 10-14)




3) "Voyager" by Diana Gabaldon

The third (Outlander, Dragonfly in Amber) in a time-travel trilogy that again creates a vivid sense of daily life in 18th- century Europe. Unlike its predecessors, however, Gabaldon's latest relies more on genre clichÇs than on history for its drama. The story opens in 1746, on the battlefield of Culloden, where Scotland's dream of winning independence from England has just been brutally crushed. Our hero, gallant Highland laird Jamie Fraser, survives the battle and makes his way to a cave near his estate. There, he goes into hiding for several years, then turns himself in to the English to protect his near-starving dependents--and winds up in prison. Meanwhile, Claire Randall, the love of Jamie's life- -whom he had sent back through a charmed circle of stones to the safety of her passionless but companionable 20th-century marriage just before the battle began--is raising her and Jamie's daughter and working as a doctor in postwar England. Once their daughter is grown, Claire traces Jamie's fate through historical documents, realizes he survived Culloden, and steps back through the circle for the third and last time--to join him in 18th-century Scotland, 20 years after they parted. After a passionate reunion, they're soon on the run again from the English--and it's an eventful journey. While chasing a mysterious ship that kidnapped Jamie's nephew, the pair and their ragtag entourage dodge pirates, battle a witch, and survive saber slashes, gunshots, brushes with typhoid, and violent tropical storms at sea.






4) "The Dead and Gone" by Susan Beth Pfeffer

Seventeen-year-old Alex, the son of a Puerto Rican New York City working-class family, attends college-prep Vincent de Paul on scholarship. An after-school job and chores assigned by his building superintendent father keep Alex focused on a better future, with ambitions of attending an Ivy League school through study, hard work and a little faith. But when his parents fail to return home after the catastrophic environmental events following the moon’s altered gravitational pull, Alex suddenly faces the reality of survival and the obligation to protect his two younger sisters. His moral and religious upbringing is continually put to the test as he finds himself forced to take action that is often gruesome if not unethical—like “body shopping,” to collect objects to barter for food. As in the previous novel, Life as We Knew It (2006), realistically bone-chilling despair and death join with the larger question of how the haves and have-nots of a major metropolitan city will ultimately survive in an increasingly lawless, largely deserted urban wasteland. Incredibly engaging. (Fiction. YA)

Book Two of Four





5) "The Lost Sun" by Tessa Gratton

When the god Baldur the Beautiful vanishes, can two teens rescue him and win their hearts’ desires?

In a country very like a modern America populated by Norse-descended followers of Odin and his pantheon, 17-year-old Soren struggles against his berserker heritage and the disgrace of his father’s having lost control in a shopping mall. At his school, Sanctus Sigurd, he meets seethkona Astrid Glyn, a prophetess who’s sure her world-famous mother’s not dead. The two set off across the United States of Asgard in hopes of finding Baldur, who did not rise from his ashes as he does at the end of each winter, and thereby winning a boon from Odin Alfather. Finding Baldur turns out to be the easiest part of their quest; the duo must find a way to return him to the gods without drawing attention to themselves, as no one knows who orchestrated the god’s disappearance, and the rest of the country wants him back too. Gratton’s series opener is a wordy, languid adventure dotted with slightly twisted retellings of Norse myths. The breathless internal conflicts and easily overcome external conflicts never quite ignite. It’s chock-a-block with cornball plays on American cultural and place names made slightly Norse-y.

When gods other than Baldur finally appear, things get interesting; maybe future installments will begin there. (Fantasy. 12 & up)




6) "Glass Sword" by Victoria Aveyard

Reborn as the infamous “lightning girl,” Mare struggles to build an army of newbloods to face the murderous new king.

After narrowly escaping the burning city of Naercey, Mare and her friends make their way to a secluded island where her family and the Scarlet Guard lie low. Bruised and beaten, Mare quickly realizes she can’t trust anyone, not even her closest friends—maybe not even family. But Mare has a plan: she’s going to track down the rest of the newbloods—Reds with unknown powers that rival the strongest Silvers’—and build an army. She sets out with those closest to her, including Cal, the now disgraced prince. Feeling incredibly alone, she can’t help but gravitate toward him; they share an ache for the person they both believed Maven to be before he became a treacherous king. As her conviction rises, so does the body count, and it isn’t long before Mare becomes eerily like the killer she’s trying so hard to destroy. Though her friends are disturbed by what she’s become, not even they can stop her now. Her quest is fraught with trials and bloodshed, but the action lags; the traps begin to feel too familiar, and the first-person, present-tense narration spares no detail. Tragedy seems to be a certainty before the end, but the spectacle still packs a surprising punch.

This too-long heroine's journey requires that the next volume provide sufficient fireworks to keep readers invested in the planned four-book series. (Fantasy. 13 & up)

Book Two of Two




7) "Ready Player One" by Ernest Cline


Video-game players embrace the quest of a lifetime in a virtual world; screenwriter Cline’s first novel is old wine in new bottles.

The real world, in 2045, is the usual dystopian horror story. So who can blame Wade, our narrator, if he spends most of his time in a virtual world? The 18-year-old, orphaned at 11, has no friends in his vertical trailer park in Oklahoma City, while the OASIS has captivating bells and whistles, and it’s free. Its creator, the legendary billionaire James Halliday, left a curious will. He had devised an elaborate online game, a hunt for a hidden Easter egg. The finder would inherit his estate. Old-fashioned riddles lead to three keys and three gates. Wade, or rather his avatar Parzival, is the first gunter (egg-hunter) to win the Copper Key, first of three. Halliday was obsessed with the pop culture of the 1980s, primarily the arcade games, so the novel is as much retro as futurist. Parzival’s great strength is that he has absorbed all Halliday’s obsessions; he knows by heart three essential movies, crossing the line from geek to freak. His most formidable competitors are the Sixers, contract gunters working for the evil conglomerate IOI, whose goal is to acquire the OASIS. Cline’s narrative is straightforward but loaded with exposition. It takes a while to reach a scene that crackles with excitement: the meeting between Parzival (now world famous as the lead contender) and Sorrento, the head of IOI. The latter tries to recruit Parzival; when he fails, he issues and executes a death threat. Wade’s trailer is demolished, his relatives killed; luckily Wade was not at home. Too bad this is the dramatic high point. Parzival threads his way between more ’80s games and movies to gain the other keys; it’s clever but not exciting. Even a romance with another avatar and the ultimate “epic throwdown” fail to stir the blood.

I do not agree with this person's opinion of the book. I found it to be exciting and an interesting book. 






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