Friday, January 22, 2016

Books for Reluctant Readers Book List

Having a hard time finding books to interest your child? Need something that keeps them interested? Check out this book list...




1) "Hoot" by Carl Hiaasen

The straight-arrow son of a maybe-federal agent (he’s not quite sure) turns eco-terrorist in this first offering for kids from one of detective fiction’s funniest novelists. Fans of Hiaasen’s (Basket Case, 2001, etc.) novels for adults may wonder how well his profane and frequently kinky writing will adapt to a child’s audience; the answer is, remarkably well. Roy Eberhardt has recently arrived in Florida; accustomed to being the new kid after several family moves, he is more of an observer than a participant. When he observes a bare-footed boy running through the subdivisions of Coconut Grove, however, he finds himself compelled to follow and, later, to ally himself with the strange boy called Mullet Fingers. Meanwhile, the dimwitted but appealingly dogged Officer Delinko finds himself compelled to crack the case of the mysterious vandals at the construction site of a new Mother Paula’s All-American Pancake House—it couldn’t have anything to do with those cute burrowing owls, could it? The plot doesn’t overwhelm with surprises; even the densest readers will soon suss out the connections between Mullet Fingers, the owls, and Mother Paula’s steadfast denial of the owls’ existence. The fun lies in Hiaasen’s trademark twisted characters, including Dana Matherson, the class bully who regularly beats up on Roy and whose unwitting help Roy wickedly enlists; Beatrice Leep, Mullet Fingers’s fiercely loyal sister and co-conspirator; Curly, Mother Paula’s hilariously inept foreman; and Roy’s equally straight-arrow parents, who encourage him to do the right thing without exactly telling him how. Roy is rather surprisingly engaging, given his utter and somewhat unnatural wholesomeness; it’s his kind of determined innocence that sees through the corruption and compromises of the adult world to understand what must be done to make things right. If the ending is somewhat predictable, it is also entirely satisfying—Hoot is, indeed, a hoot. (Fiction. 10-14)









2) "How to Eat Fried Worms" by Thomas Rockwell

Even fried with ketchup, mustard and horseradish sauce or baked as "Alsatian Smothered Worm" with onions and sour cream by Billy's supportive Mother, fifteen nightcrawlers are still a lot of worms to eat. Having made a fifty dollar bet, Billy persists in his one-a-day regimen much to the disgust of his friend Alan, who knows his father won't let him use his money this way in any case and tries all sorts of schemes to sabotage and psych Billy into quitting. The person who comes off best here is Billy's mother, who after a quick call to the doctor accepts the plan with perfect equanimity, but Rockwell's sensibilities (if that's the word) are so uncannily close to those of the average ten year-old boy that one begins to admire Billy as a really sharp operator.










3) "The Lions of Little Rock" by Kristin Levine

The remarkable story of the Little Rock Nine is familiar to many, but what happened next? In this quietly powerful page-turner, Levine focuses her attention on the events that unfolded in Little Rock the year after the integration of the city’s public schools.

Readers meet quiet, 12-year-old Marlee and her outgoing and warm-hearted best friend, Liz, who is instrumental in Marlee’s burgeoning ability to speak her mind to anyone outside of her family. To Marlee’s dismay, Liz suddenly vanishes from school, and the rumor is that she has been passing for white. Marlee initially feels betrayed by her friend, but her understanding of the complicated nature of race relations and politics matures. Levine sensitively portrays her process as she sorts out these feelings, finds a way to stay friends with Liz and becomes involves with the Womens’ Emergency Committee to Open Our Schools (WEC) after the city shuts down all of its public schools to prevent integration. When Marlee’s father, a schoolteacher, is fired because of his pro-integration stance, the entire family becomes involved in the Stop This Outrageous Purge (STOP) campaign in an attempt to have all of the teachers rehired and the public schools reopened.

This engaging story, with its emphasis on the impact of friendship and on finding one’s voice when it is most important to be heard, will no doubt appeal to a broad range of readers and inspire many interesting conversations. (author’s note) (Historical fiction. 10-14)





4) "Cadillac Chronicles" by Brett Hartman

Angry, just-turned-16-year-old Alex, a white boy, and equally angry but very old Lester, a black man, are unlikely road-trip buddies in this novel that transcends its conventions.

The cross-generational road trip is a familiar trope; so is the life-changing cross-racial relationship. Where this book that combines the two stands out is in its refusal to make Lester simply a tool for Alex's coming-of-age. While Lester initially seems to conform to many of the stereotypes, he is, as Alex learns, nevertheless entirely an individual, one who hates his age-inflicted vulnerability with bullheaded passion. They come together—unwillingly—when Alex's frankly odious, local-politician mother takes Lester in to make herself look good. In fairly short order, though, they find themselves on the run together in Lester's Cadillac, on their way to, first, Florida to find the father Alex has never known and then to Alabama, to visit the sister Lester hasn't seen in years. Lester counsels him: "[W]hen you commit to a course of action, don't hesitate. Don't limp-dick yourself into a hole." Accordingly, Alex learns to drive, comes to understand a little of the hard truth of race in post–civil rights–era America and spectacularly loses his virginity in a scene that will surprise readers as much as Alex.

If there's little doubt about the end of the trip, readers will be happy they've gone along for the ride. (Fiction. 14 & up)



5) "Lunch Money" by Andrew Clements

Budding billionaire Greg Kenton has a knack for making money and a serious rival. When he issues his first Chunky Comic Book at the beginning of sixth grade, his neighbor and classmate Maura Shaw produces an alternative. Their quarrel draws the attention of the principal, who bans comics from the school. But when they notice all the other commercial messages in their school, they take their cause to the local school committee. Without belaboring his point, Clements takes on product placement in schools and the need for wealth. “Most people can only use one bathroom at a time,” says Greg’s math teacher, Mr. Z. Greg gets the message; middle-grade readers may ignore it in favor of the delightful spectacle of Greg’s ultimate economic success, a pleasing result for the effort this up-and-coming young businessman puts into his work. Clements weaves intriguing information about comic book illustration into this entertaining, smoothly written story. Selznick’s accompanying black-and-white drawings have the appearance of sketches Greg might have made himself. This hits the jackpot. (Fiction. 9-12)







6) "Here Lies the Librarian" by Richard Peck

“Who’d want to be in the pit crew when you could be in the race?” asks Irene Ridpath, the new librarian at14-year-old Eleanor McGrath’s school. It’s 1914 in the unincorporated Hazelrigg Settlement in Hendricks County, Ind., and feisty Irene and three other Library Science students from Butler University have come to town to fill the vacancy left when the elderly former librarian Electra Dietz died, heaven having stamped her OVERDUE. The young ladies plan to expand the 225-book collection, add shelving, a Photostat machine, lighting and subscriptions to all major magazines. And if the library is remade, so is Eleanor, transformed, with Irene’s help, from grease monkey to young woman with a sense of herself in the world, who wins the first ten-mile stock car race in Hendricks County history. As always, Peck writes with humor and affection about times past, elders and growing up strong. This ode to librarians is a fine companion to Peck’s ode to schoolteachers, The Teacher’s Funeral (2004). (Fiction. 10+)






7) "Fire From The Rock" by Sharon M. Draper

Sylvia is completing her last year of middle school, and she’s excited about going to the local high school with all her friends. But this is not a typical coming-of-age tale because the setting is Little Rock, Ark. in 1957, and there are important decisions to be made that will affect not only Sylvia but all African-Americans. Central High School is to be integrated and Sylvia has been selected as a candidate to enroll. If she attends her segregated school, she’s guaranteed a good education as well as an abundance of activities and an assured social life. If she goes to Central, she will be prohibited from participating in clubs, sports and all social events, and will definitely be subjected to threats and danger to herself and her family. In the end, she chooses the option that is right for her. Draper evokes the escalating tensions and violence of that seminal summer, giving them a sense of immediacy via a strong central character. Compelling. (Historical fiction. 11-15)



8) "Surviving the Applewhites" by Stephanie S. Tolan

Reminiscent of the loud, loving, eccentric family in Kaufman and Hart’s You Can’t Take It with You, the Applewhites are brilliantly talented and wildly adverse to mainstream mentality. As successful writers, directors, and artists, they are sure that their creative ideas will help a delinquent teen, Jake, turn away from destructive thinking and behavior and turn toward educational and personal interests that will teach him how to be happy. Even though E.D. admires her family’s brilliance, she knows they don’t have the patience and foresight to adequately plan for success; in fact, she’s the only one in the family with a creative talent for organization. Business and personal associates commonly come to visit, and many end up taking semi-permanent residence in the 16-acre paradise, adding to the already quirky group. Though they enjoy the luxury of pursuing their aspirations in the Applewhite’s comfortable home and modernized school, they are blinded by the Applewhite fame, taking E.D.’s skills for granted until the conflict of promoting Jake’s education and producing a well-known play sweeps everyone into a hurricane of activity and invention requiring the coordination that only E.D. can supply. Tolan (Flight of the Raven, 2001, etc.) systematically combines third-person narration and the semi-omniscient first-person narration of E.D. and Jake, ultimately resulting in well-built characterizations held together in a structure that smoothly organizes the chaos that busy artistic geniuses generate. (Fiction. 11-14)




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