Monday, March 21, 2016

Books You Wish More People Knew About List

Want a book that isn't on the best sellers, but still good? Tired of long waiting lists? Check out this book list...




1) "Graffiti Moon" by Cath Crowley

Alternating narrators and snatches of poetry tell the tale of love among graffiti artists.

Lucy has been searching for the mysterious graffiti artist Shadow, whose work seems to address her fear of romance. Unfortunately, the only guy who knows how to track him down is Ed, whose nose Lucy broke at the end of a disastrous date. Ed knows how to track down Shadow because he is Shadow—a secret he hopes to keep from Lucy while he leads her around town revisiting old haunts. When Lucy discovers that Ed has been lying to her, she must deal with her conflicted feelings over the artist and the annoying man. Readers will quickly realize that Ed and Shadow are one and the same, a fact that Crowley reveals fairly early on. With that mystery stripped away, Ed is difficult to like, lacking both a strong personality and emotional resonance. His difficulty at school due to dyslexia smacks of pandering and isn’t well integrated into the overall story. Lucy’s personality is slightly more developed; glassblowing is a talent not often seen in teen fiction. However, Crowley’s divided narrative doesn’t suit the characters, and the decision to intersperse poems into the mix further fractures their interactions.

There’s splashes of color, but teens will find their interest washes out rapidly. (Fiction. 13 & up)




2) "Once A Witch" by Carolyn MacCullough

Growing up Talentless in a family of witches has been hard on Tamsin, particularly since her older, perfect sister Rowena oozes Talent. When a mysterious, handsome stranger mistakes her for Rowena and asks her to “find” something his family lost, is it so awful that she doesn’t correct him and accepts the challenge? Well, yes, of course. Her very Talented childhood friend Gabriel has moved back from the West Coast to attend Juilliard, and, in addition to being totally hot, he’s willing to help her. Together Gabriel and Tamsin Travel to the past to recover the lost object, an action that lands Rowena in the clutches of the stranger and threatens Tamsin’s whole family—and the rest of humanity to boot. While MacCullough’s setup and plot may not shake the world with their originality, she has created an enormously sympathetic character in Tamsin, whose itchy relationship with her family will resonate with teens struggling to define themselves. Characters, setting, conflict—all develop nicely to create a light urban fantasy that goes down easy and will have readers asking for its sequel. (Fantasy. 12 & up)



3) "The Silver Kiss" by Annette Curtis Klause

A mesmerizing first novel that depicts the romantic but perilous love between a lonely girl grieving for her dying mother and a reluctantly immortal vampire who has spent centuries trying to avenge his mother's gruesome death. While Dad spends all his time in the hospital with Mom, now a pallid shadow of the vibrant woman whose paintings were ""charged with bold emotion,"" Zoe--always a contrast to her mother, ""a dark one. . .a mystery"" who ""wrote quiet poetry suffused with twilight and questions""--broods at home and goes for night walks. She first meets Simon, who ""looked like an angel in a Renaissance painting,"" in a deserted park by moonlight; in chapters that alternate between her point of view and his (letting the reader in on his grisly hidden life and eventually his past), the two establish a delicate, frightening relationship that builds to startling concluding events. Klause's sensitively drawn characters fit precisely in their exquisitely balanced roles; with lyrical writing and a rich sensibility, she makes Simon not only horrifying but profoundly sympathetic. A fascinating story.





4) "A Kiss in Time" by Alex Flinn

Sleeping Beauty wakes up in the 21st century; clichés ensue. When Princess Talia pricks her finger on a spindle on her 16th birthday, she fulfills a curse that puts the entire kingdom of Euphrasia to sleep for centuries. Modern teen Jack, on the lam from a guided bus tour of Europe, discovers the slumbering kingdom and wakes the princess in a decidedly creepy date-rape–like scenario. Both wishing to flee the clutches of the king, they escape together to Jack’s home in Miami, where the girls are either vapid sluts or nerdy brains and the boys are mostly just clueless. The narration shifts between Talia and Jack, but the device sheds little light into their characters; both are too broadly drawn to engage readers. She seems petulant and pampered but turns out to be kind and adaptable; he’s supposedly a slacker, but he’s really brimming with motivation. All too easily they buff away each other’s sharp edges, though their lack of chemistry makes their inevitable declarations of love forced and awkward. There is nothing fresh about this reinterpretation.(Fantasy. 11-14)



5) "Sisters Red" by Jackson Pearce

This is not the tale of Little Red Riding Hood your granny told. In this version, the sisters, Scarlett and Rose (shades of red, anyone?), were attacked by a werewolf-like Fenris and saved by Scarlett’s quick action with a broken mirror. The attack left Scarlett with one eye, bite and claw scars and an obsessive drive to rid the world of the Fenris clans. Told from the points of view of the two teens, joined by childhood friend and woodsman Silas, the story combines elements of fantasy and mystery in equal parts. The voices of both sisters are distinctive and clearly differentiated, though the dialogue is sometimes overwrought and melodramatic. The plot unfolds with steadily increasing tension and unexpected twists to a shocking climax. The ending may not be totally satisfying, but it is realistic given the depiction of both young women. This urban fantasy with its scarred heroine and intermittent violence is not for Twilight fans but may well appeal to Melissa Marr’s readers and teens who like their fantasy on the gritty side. (Fantasy. YA)




6) "Inside Out" by Maria V. Snyder

Trella’s world, called Inside, is divided both physically and socially. The upper levels of Inside house the white-collar class, and the lower levels are for laborers. Trella is a scrub, a lower-level resident whose job is to keep Inside clean. Her small stature enables her to travel around Inside via its environmental control system and spy on the Uppers. Then, her only friend enlists her to help hide Broken Man, who claims that he has found the Gateway to the outside world. By accident, Trella becomes the face of a scrub revolution, and she resorts to leading a double life in order to save both her friend and the hope that the Gateway exists. Despite a promising concept, the book fails to grab readers and never gains momentum. Broken Man’s role as the prophet of the revolution is never explained. The peripheral characters exist for their roles in the revolution save for an Upper named Riley, who becomes Trella’s love interest. Too many rushed plotlines about Inside’s history and families plus not enough character development or worldbuilding make for a dull story. (Science fiction. YA)



7) "A Certain Slant of Light" by Laura Whitcomb

What should be a sure-fire ghost story/romance fails to ignite a spark. Helen is a spirit that cleaves to hosts, unsure of why she’s bound to earth. She picks very literary hosts (including Emily Dickinson), such as her current high-school English teacher. It is at school that Helen is “seen” for the first time, by teenager Billy Blake. Turns out Billy is actually “James”—another spirit who’s figured out how to inhabit a body. He and Helen fall in love, and he convinces her to find a body so that they can have sex (semi-graphically depicted, and somehow also coldly so). Their hosts both have troubled homes (one drugs, the other religion, both with messed-up parents), leading to a predictable close. Unsurprising plot, under-developed characters and adequate prose doom this first novel. The love story, and the device of a spirit gaining flesh, should be emotionally rich fodder, yet Whitcomb takes these nowhere. Young women will be drawn to this book, and will probably finish it, but unless the collection needs another forgettable easy-sell, skip it. (Fiction. YA)




Friday, March 18, 2016

Friends of North Shore Library Annual Book and Bake Sale!

There is still time
to attend
the Annual
Book and Bake Sale!

Hosted by: Friends of North Shore Library

Dates: 

Friday March 18: 10 am-4 pm

Saturday March 19: 10 am-4 pm

Sunday March 20: 1-4 pm
($5 bags available)


Thursday, March 17, 2016

Happy St. Patrick's Day!

May the Luck of the Irish
Be with You




Every year on March 17, the Irish and the Irish-at-heart across the globe observe St. Patrick’s Day. What began as a religious feast day for the patron saint of Ireland has become an international festival celebrating Irish culture with parades, dancing, special foods and a whole lot of green.

St. Patrick’s Day is celebrated on March 17, the saint’s religious feast day and the anniversary of his death in the fifth century. The Irish have observed this day as a religious holiday for over 1,000 years. On St. Patrick’s Day, which falls during the Christian season of Lent, Irish families would traditionally attend church in the morning and celebrate in the afternoon. Lenten prohibitions against the consumption of meat were waived and people would dance, drink and feast–on the traditional meal of Irish bacon and cabbage.



Tuesday, March 15, 2016

Mysteries for the Younger Crowd Book List

Do you have a child not yet a teenager? Are they wanting a mystery book? Check out this book list...




1) "Wonder at the Edge of the World" by Nicole Helget

History, science, adventure and fantasy combine in this tale that carries readers from the plains of Kansas to Antarctica.

In mid-19th-century Tolerone, Kansas, the sparklingly named Hallelujah Wonder is moping: pining for her murdered scientist-explorer father, lonely for her Massachusetts roots and awakening to the moral dilemma of slavery. This last has been brought about by the growing abolitionist movement and her friendship with Eustace, an enslaved boy. Hallelujah narrates in the present tense, interspersing her accounts with asides to readers, making for a tone that is both cozy and bluntly practical (Hallelujah is determined to be scientific): “Looks like you croaked,” she remarks at one point to a dead rattlesnake. The core propulsion of the plot is a mysterious, shrunken Medicine Head that Hallelujah’s father brought back from an expedition and that the evil sea captain Cornelius Greeney now seeks. Charged with its protection, Hallelujah and Eustace set out on an adventure that simultaneously challenges and defends Hallelujah’s scientific worldview. Pulse-quickening exploits and taut descriptions will keep readers riveted. Some moments are too obviously teaching moments, such as when Hallelujah admonishes readers to think about not being wasteful, but they are not particularly distracting.

Set against the growing-pains backdrop of pre–Civil War America, both reflecting and supporting Hallelujah’s coming-of-age story, Helget’s tale celebrates the curiosity and mystery of life.(Adventure. 8-13)




2) "Tangled Webs" by Lee Bross

Secret-life shenanigans in 18th-century London.

Seventeen-year-old orphan Arista survives by helping her vile and violent employer blackmail the aristocracy. As the public face of their extortion racket, she slips in and out of costume balls to deliver messages to and collect payments from sleazy courtiers. When, in the line of duty, she crosses paths with an attentive masked stranger, they are both thrown by the force of the instant attraction between them. But the course of true love never did run smooth, and this romance rehashes many timeworn tropes en route to its inevitable happy ending. Arista as a character remains elusive; her inner life is essentially just a loop of vigilant worry, and the third-person perspective puts her at an additional remove. She’s street-smart, but is she intelligent? The novel might find an audience among readers who enjoy both the predictability of the romance genre and the warrior ferocity of Buffy the Vampire Slayer, but the dialogue lacks the humor and warmth of the latter, and at times, the tale sags under the weight of its own overwrought exposition. Conversational anachronisms like “okay” and nagging plot holes—like how the nearly feral Arista can pass for middle-class in daily life—further disrupt the narrative momentum.

The overall effect is that the tale is underbaked; perhaps the planned sequel will help it set.(Romance. 12 & up)



3) "Alistair Grim's Odditorium" by Gregory Funaro

Victorian-era adventure with a supernatural stock of magical and mythical players.

Grubb (“no first or last name”) was a doorstep drop-off adopted by Mr. and Mrs. Smears. With the death of compassionate Mrs. Smears, he is left in the care of Mr. Smears, a brutish chimney sweep. Grubb is forced to sweep chimneys for no pay while nasty Mr. Smears broods over beer. After a mishap involving soot and a horrid hotelier, Grubb hides in the trunk of a parting guest to avoid a beating. The guest is Alistair Grim, and when Grubb exits the trunk, he is in the titular Odditorium, a collective of “Odditoria” (among them a talking watch and a trickster banshee). Grubb is invited to work for Grim under the proviso that he won’t reveal magical secrets, but when he unwittingly breaks that cardinal rule, he attracts Grim’s nemesis. Battles, kidnapping and sorcery ensue. The series opener’s Anglophile charm is occasionally muddied with an abundance of character introductions. To navigate this bevy of names and species, there is a character list and glossary. Black-and-white illustrations somewhere between daguerreotype and manga supplement the vivid textual imagery. Grubb’s cheat-to-the-audience moments at either end of the story are frustrating, if widely spaced (“My apologies, but I’m afraid you’ll have to take my word”).

Verne-ian fantasy and reversal of fortune à la Dickens will lure readers into this good-vs.-evil series debut. (Fantasy. 10-13)

Book One of Two



4) "The Detective's Assistant" by Kate Hannigan

In 1859 Chicago, 11-year-old orphaned Nell strives to make herself indispensable to her mysterious aunt.

How else can she avoid being sent to an orphanage? But Aunt Kitty seems eager to be rid of her unexpected charge, and Nell soon discovers why: Aunt Kitty is actually Kate Warne, the first female private eye employed by the Pinkerton National Detective Agency. A series of mishaps keeps Nell firmly at her aunt’s side, until Nell herself becomes a key player in madcap investigations involving disguises and false identities. Nell and Kate solve one mystery after another, even successfully protecting the new president, Abraham Lincoln, from an early assassination attempt. Meanwhile, Nell’s correspondence with her best friend, Jemma, helps her to uncover the mystery of her own family, their involvement with the Underground Railroad, and the tragedies that estranged Aunt Kitty and orphaned Nell. As unlikely as all these scenarios are, Hannigan’s quick pace and Nell’s spunky voice successfully suspend readers’ disbelief, and the author manages to pack an amazing amount of historical tidbits in along the way. A key to the playful ciphers embedded in Nell’s letters follows the story. (Historical fiction. 9-12)




5) "Nooks & Crannies" by Jessica Lawson

When 11-year-old Tabitha Crum receives a mysterious invitation for a weekend visit with the reclusive Countess of Windermere at Hollingsworth Hall circa 1907, she uncovers a diabolical plot that changes her life.

In the grand tradition of Roald Dahl, Tabitha’s despicable, neglectful parents force her to sleep in the attic and wear outgrown school uniforms. Her only friend’s a pet mouse. Before Tabitha departs for Hollingsworth, her parents announce they are leaving and sending her to an orphanage as soon as her visit is over. When Tabitha arrives at Hollingsworth, she meets five more clueless kids. Influenced by Inspector Pensive novels, Tabitha readily shifts into detective mode when the eccentric countess reveals she will be interviewing each child to determine which one is her missing grandchild, destined to inherit £100,000. During the isolation imposed by a freak snowstorm, an elderly maid dies under suspicious circumstances, ghostly groans echo behind walls, the countess becomes disturbingly nasty, and children disappear. Dauntlessly exploring nooks and crannies, Tabitha unravels the twisted, shocking truth and finds a real family and friends. Themes of friendship and family permeate this darkly humorous, melodramatic period thriller. Sketchy black-and-white illustrations add to the macabre mood.

A plucky amateur detective, secret passages, exaggerated characters, concealed identities, and dastardly villains equal a swell mystery. (Mystery. 8-12)




6) "The Diamond Thief" by Sharon Gosling

Romance, political skullduggery and fantastical inventions giddily complicate a jewel heist.

Sixteen year-old French circus performer Rémy Brunel, a daredevil trapeze artist (and accomplished thief) in Victorian London, is tasked with stealing the Darya-ye Noor, a gem of extraordinary size and beauty. Rémy—nimble, clever and uncannily lucky—pulls off the feat on her first visit to the gem’s exhibition in the Tower of London, thanks to elderly Lord Abernathy, who accidentally smashes the gem’s security case as he collapses to the floor. Rémy assumes she’s been efficient, but the gem she’s stolen is a fake, a revelation that launches her into a caper more complex and dangerous than any she’s undertaken before. She must navigate dangerous, filthy London, enter into an uneasy (yet increasingly affectionate) alliance with Thaddeus Rec, a police detective also suspected of stealing the jewel, and outwit wealthy villains armed with steampunk-y weapons. The whole affair often feels like an episode of Doctor Who: It’s filled with running and exhilarating physical danger, many quippy, colorful characters and even some titanium suits strongly reminiscent of Cybermen. This is no bad thing. The plot groans a bit under the weight of all the twists and piled-on characters, but, like Rémy, it sticks a fairly satisfying landing in the end.

Readers will happily strap in for the ride, if only to see where it takes them. (Steampunk. 12-16)



7) "Ripper" by Amy Carol Reeves

A rebellious young woman of high station finds her calling—and much more—volunteering in an East London hospital just as the Jack the Ripper murders commence.

Abbie Sharp, newly orphaned, finds herself chafing under the restrictions imposed by her snooty grandmother, who threw her mother out years before for her wild ways. Grandmother's attempt to teach Abbie responsibility by making her work at the charity hospital backfires when the girl becomes increasingly interested in the welfare of its prostitute patients. Abbie, meanwhile, finds herself more reliant on the street-fighting skills she picked up in Dublin than she ever expected. And she's also having visions… What could they mean? Narrator Abbie is a boilerplate spunky heroine, and she falls into an equally formulaic romance with a prickly-but-deep handsome physician. Debut author Reeves holds a PhD in 19th-century British literature, and she brings her research to bear on the background story. She appears to have decided not to apply it to her prose, however, which is littered with colloquially modern constructions ("I am simply going to have to be all right with…"; "[it] was fine with me"). Abbie performs astonishing feats of athleticism without ever being hampered by her skirt. Moreover, the paranormal twist feels wrenched into place. For more effective reboots of the Jack the Ripper legend, try Maureen Johnson's The Name of the Star (2011) or Stefan Petrucha's Ripper (2012). (Paranormal historical fiction. 12 & up)



Monday, March 14, 2016

Let's Go On A Trip! Book List

Let's go traveling! Want a book like that then check out this book list...




1) "Blue Latitudes: Boldly Going Where Captain Cook Has Gone Before" by Tony Horwitz

Pulitzer-winning journalist and travel-writer Horwitz (Confederates in the Attic, 1998, etc.), dogging the wake of Captain Cook, discerningly braids Cook’s long-ago perceptions with his own present-day inquiries into the lands the Captain encountered.

Cook made three epic voyages, sailing from Antarctica to the Arctic, from Australia to Alaska, and to many of the islands that lie between. Fascinated by the man and his accomplishments, Horwitz visits those far-flung lands where the impact of Cook’s arrival was more profound and lasting than the news of the lands’ existence was upon the Europeans back home. The author travels by sailboat and ferry, often in the company of his Australian chum Roger, an odd-fellow and contrarian of rare stripe who adds a comic counterpoint to Horwitz’s probings into attitudes toward Cook in the places he set anchor—attitudes that run the gamut from loathing to reverence. Natives for the most part revile him, though it’s a quirk of fate that the captain’s logs are now helping New Zealand’s Maori establish land claims. Horwitz’s portraits of the lands can be dispiriting: Bora Bora on the brink of environmental collapse, Tahiti gripped by ennui, Tonga feudal with feudal squalor and ill temper. But there are also innocent Niue and vibrant Hawaii and Australia—where Cook is sooner forgotten by all concerned. Of the navigator himself, Horwitz says that “his journals allow us to chart almost every one of his steps and sails, right down the minutest degree of latitude. But [he] left us no map to his own soul.” Still, he rises from these pages as a thoughtful and humane character sensitive to the men who served him and to the local populations he met, though “mutual incomprehension over notions of property and justice [plagued him] throughout his Pacific voyages” and in fact led to his death.

Tandem voyages taken 200 years apart: filled with history and alive with contrasts.





2) "The Places In Between" by Rory Stewart

Just after the fall of the Taliban, a doughty Scot walks across Afghanistan from Herat to Kabul, observing, studying, starving, freezing, encountering poverty, cruelty, ignorance, generosity, warmth and terror.

Published in the U.K. in 2004, this remarkable text paves the way for Stewart’s account of his subsequent adventures in Iraq, The Prince of the Marshes, to be released in the U.S. in August. His stroll through Afghanistan was part of an extensive peregrination across Iran, Pakistan, India and Nepal, and the author confesses that he can’t really explain why he did it. Instead, he records in plain prose a frightening journey across a land only the naïve could call a nation. Stewart passed from the control of one “big man” to another, plagued by dysentery and always in danger from the elements. But the locals’ repeated warnings to not travel alone had less to do with the weather than with the whims of the Afghans he was likely to meet, armed and governed by only the most primitive moral codes. In various harrowing moments, Stewart was roughed up by young warriors, had to listen while armed men discussed raping young women (or one another) and kept walking while fully expecting a bullet in the back. His keen sense of when to persist and when to yield enabled him to survive. Stewart generally found shelter and simple food along his tortuous route, though often only with much complication. (It helped that he spoke several Persian dialects and was familiar with the region’s history, mythology and religious customs.) He saw unspeakable poverty and encountered deep ignorance of the outside world. Along the way, a huge, nearly feral earless dog joined him after being tormented in its village. Their eventual parting is only one heartbreaking moment in a narrative of painful poignancy.

Gripping account of a courageous journey, observed with a scholar’s eye and a humanitarian’s heart.



3) "Paris to the Moon" by Adam Gopnik

A talented essayist for the New Yorker pens a love letter to the City of Lights, praising Paris to the moon (though that’s not the original meaning of the title).

Gopnik, who lived with his family in Paris for a few years, gets a grip on the grandeur and travails of the capital’s shopping, cuisine, haute couture, and architecture, as well as French procedures for faxes, exercise, reckoning with war criminals, enjoying civilized general strikes, and arguing over “the best restaurant in the world.” Quotidian activities and objects are rendered wonderful simply by the locale, as our correspondent revels in the mutual misunderstandings, the bureaucratic pigheadedness, the lofty attitudes, and the journalists’ turtleneck jerseys. He interprets, as well as any interloper can, the Parisian (or, if you like, the French) mind. To Gopnik, big buildings in the capital stand for official culture, while French civilization is represented by the small shops: opting for civilization, he takes us through the happy little shops of his arrondissement and embraces a culture invisible to the camera-laden tourist. How that culture greets the birth of his daughter—a French child, he maintains—is recounted nicely. Conversely, in an effort to guide his soccer-wise Gallic son, Luke, into the boy’s American heritage, he concocts a charming bedtime story about baseball. Explaining life in Paris is, of course, a monumental task; it is, perforce, politico-emotional, socio-literary, formidable, and philosophical. But it is Gopnik’s métier and he’s quite good at it. With a text marked by facile wit, he draws lessons from a variety of things.

Thanks for the postcards, Adam. Sounds like a wonderful time. Wish we were there.





4) "Bella Tuscany" by Frances Mayes

Yes, la dolce vita—but only for some. In the nearly 40 years since Fellini’s film first ushered the expression into our lexicon, said vita has been drained of all its original sardonic content, its biting irony, and its social criticism. This sequel to Mayes’s bestselling Under the Tuscan Sun, about her second home and life reborn in Tuscany, doesn—t preserve Fellini’s spirit, either—though her account is inevitably charming. Sometimes, too, a tad annoying. For the author does occasionally come off (along with her husband) as cantankerous or supremely unself-conscious. Not appreciating the cold spring rains in Tuscany, for instance, the lucky pair decides, on a whim, to fly to balmy Palermo; on arriving in a hotel room without a view of that city’s justly famous palm trees, gli Americani just march down to the lobby and demand one. To the accidental Italophile tourist, gathering water at a scenic town’s small fountain may appear a quaint and rustic practice—yet for the ancient women who must daily fetch and carry large jugs of water balanced atop their heads, the habit is laborious and boring, alleviated only slightly by the prospect of gossip. Yet we are finally won over by Mayes. Who could fail to affirm this poet’s lush descriptions of the rolling Tuscan hills, with their timeless olive trees and patient oxen? Equally beautiful are Mayes’s evocations of Italians as sincere and welcoming. She realizes that, despite their fame for sweets, the natives actually enjoy foods with a bitter taste—or, as husband Ed remarks, they “seem to have acquired more tastes than many of us.” Other factual tidbits include a survey of the etymology of the Sangiovese grape—used for Chianti, Brunello, and Vino Nobile—as deriving from the “blood of Jove.” Lovely, and no small consolation to anyone who’s far from Tuscany. 






5) "Travels in Siberia" by Ian Frazier

The peripatetic author of Great Plains (1989) and On the Rez (2000) returns with an energetic, illuminating account of his several trips to Siberia, where his ferocious curiosity roamed the vast, enigmatic area.

Veteran New Yorker contributor Frazier (Lamentations of the Father: Essays, 2008, etc.) begins bluntly. “Officially,” he writes, “there is no such place as Siberia.” It is not a country, nor a province, yet the region bearing the name is extensive, comprising eight time zones. Throughout, the author confesses to a long love affair with Russia, a relationship that has waxed and waned over the decades but in some of its brightest phases sent him back repeatedly to see what few have seen. Here Frazier records several visits: a summer’s trip via cantankerous automobile across the entire region, in the company of a couple of local companions; a winter’s journey by train and car, during which the car sometimes used frozen waterways for roads; and a return visit to see the effects of the emerging Russian energy industry. He prepared in a fashion familiar to readers of his previous works—read everything he could, talked with anyone who knew anything, planned and schemed and made it happen. He also studied Russian extensively and tried gamely to engage local people he encountered along the way. On the road, he visited local museums and monuments and natural wonders, and he pauses frequently for welcome digressions on the historical background. He camped, fished and ate local delicacies (and indelicacies). Endearingly, he freely admits his inadequacies, fears (during one perilous icy trip he actually composed a farewell message to his family), blunders, dour moods, regrets and loneliness. The contrasts are stark—one day, he walked through the ruins of a remote, frozen Soviet-era prison camp and later saw a ballet in St. Petersburg—and the writing is consistently rich.

A dense, challenging, dazzling work that will leave readers exhausted but yearning for more.





6) "McCarthy's Bar: A Journey of Discovery in Ireland" by Pete McCarthy

An American chronicles his funny, nostalgic encounter with Ireland as he searches for his roots in the countryside and pubs of this beautiful and deceptively simple country.




7) "Seven Years in Tibet" by Heinrich Harrer

When Harrer, a German prisoner in India during WW II, escaped, he chose Tibet as a route- but stayed at Lhasa- not only to be won over from his master-race beliefs by the simple Tibetan ways, but to become tutor to the Dalai Lama. Psychologically unique, this is at once first rate adventure and a strong plea for an adopted country.





Saturday, March 12, 2016

What Just Happened? Endings Book List

Want a book that will keep you on your toes? Want a book that doesn't end so neatly? Something that will get you thinking? Check out this book list...




1) "Cinder" by Marissa Meyer

Although it packs in more genres than comfortably fit, this series opener and debut offers a high coolness factor by rewriting Cinderella as a kickass mechanic in a plague-ridden future.

Long after World War IV, with a plague called letumosis ravaging all six Earthen countries, teenage Cinder spends her days in New Beijing doing mechanical repairs to earn money for her selfish adoptive mother. Her two sisters will attend Prince Kai’s ball wearing elegant gowns; Cinder, hated because she’s a cyborg, won’t be going. But then the heart-thumpingly cute prince approaches Cinder’s business booth as a customer, starting a chain of events that links her inextricably with the prince and with a palace doctor who’s researching letumosis vaccines. This doctor drafts cyborgs as expendable test subjects; none survive. Cinder’s personal tenacity and skill, as well as Meyer’s deft application of "Cinderella" nuggets—Cinder’s ill-fitting prosthetic foot (loseable on palace steps); a rusting, obsolete car colored pumpkin-orange—are riveting. Diluting them is a space-fantasy theme about mind-controlling Lunars from the moon, which unfortunately becomes the central plot. A connection between Cinder’s forgotten childhood and wicked Lunar Queen Levana is predictable from early on.

Despite the simplistic and incongruous-feeling telepathic-enslaver theme, readers will return for the next installment in this sharp, futuristic "Cinderella" tale. (Science fiction/fairy tale. 12-15)






2) "Year of Wonders" by Geraldine Brooks

Painstaking re-creation of 17th-century England, swallowed by over-the-top melodramatics: a wildly uneven first novel by an Australian-born journalist.

The Year of the title is 1665: the date of the devastating bubonic epidemic chronicled in Daniel Defoe’s A Journal of the Plague Year. Brooks’s tale, framed by reveries set a year and a half after the plague burns itself out (in “Leaf-Fall, 1666”), is narrated by Anna Frith, an earnest and highly intelligent young widow who buries her own multiple bereavements (first her gentle husband, later their two small sons) in work, aiding her (unnamed) village rector’s wife in treating the sick with medicinal herbs and traditional cures. Brooks is at her best in lyrical, precise descriptions of country landscapes and village customs, and makes something very appealing and (initially) quite credible out of Anna’s wary hunger for learning and innate charitable kindness. But the novel goes awry when the panic of contagion isolates her village from neighboring hamlets, a forthright young woman and her distracted aunt are accused of witchcraft and hunted down, and Anna’s drunken, violent father, who profits as a gravedigger for hire, resorts to providing corpses that will require his services. The excesses continue, as Anna’s stepmother, crazed with grief, seeks vengeance against rector Michael Mompellion and his saintly wife (and Anna’s mentor and soulmate) Elinor, and rise to a feverish pitch when Anna, having found a new innocent victim to nurture and raise, offends the powerful Bradford family and must flee to safety—ending up (in a borderline-risible Epilogue) in North Africa in the sanctuary of a kindly “Bey’s” harem. It’s all more than a bit much: Thomas Hardy crossed with Erskine Caldwell, with more than a whiff of Jane Eyrein Anna’s conflicted devotion to the brooding, Mr. Rochester–like Mompellion.







3) "Firelight" by Sophie Jordan

Dragon shapeshifters steam more than sparkle in this romantic fantasy. High schooler Jacinda is the treasure of her "draki" pride, the first firebreather in centuries. But after flouting the rules once too often, she is forced to flee to a "normal" human life that leaves her dragon-self withering--until she meets Will. Although his family hunts her kind, she can't resist the immediate attraction. But any involvement with Will endangers all dragonkind, and her intended draki mate isn't ready to let her go. The first-person, present-tense narration fires up the intensity with short choppy sentences and vivid sensual descriptions. Jacinda's self-centered viewpoint scarcely acknowledges any other character--even Will displays little personality beyond being Beautiful, Tortured and Desperately in Love. Some might cavil at the instantaneous passionate bond between lovers who keep so many secrets and wonder at the implausible logistics of draki society. But this isn't a story for skeptics; it's all about swooning at the tragic star-crossed love, savoring the brooding jealousy of the obligatory triangle and agonizing over the abrupt cliffhanger ending. Just surrender to the sizzle. (Paranormal romance. YA)



4) "Dead Beautiful" by Yvonne Woon

Anyone who reads knows that vampires are in. But this hefty novel takes a new and unconventional look at the undead, focusing on story and interesting characters and leaving gore and mayhem hidden in the background. Renée Winters is a sunny California teenager who has a rude awakening when both her parents die mysteriously in the woods. Suddenly in the care of a grandfather she doesn’t know, she’s forced to leave her friends, her school and everything she knows behind. Sent to an exclusive and very private academy in a desolate part of Maine, she makes new friends, discovers new abilities and cannot help but be drawn to a handsome and enigmatic loner, Dante. Feeling as Alice must have when she fell down the rabbit hole, Renée keeps trying to find answers to questions she’s not even sure are real, struggling to reconcile past and present if she is to have any hope of a future. Well written, intriguing and, above all, different, this story ends with much to explore in what one hopes will be swiftly forthcoming sequels. (Paranormal romance. 12 & up) 

Book One of Three




5) "Everneath" by Brodi Ashton

Ashton's debut is a melancholy, modern retelling of Greek underworld myths.

Nikki Beckett regains lucidity after a 100-year Feed in the Everneath. Cole, the immortal Everliving who brought her there willingly to feed on her emotions and life, is delighted that she has emerged from the Feed intact and offers her the chance to become an Everliving herself. Instead, Nikki chooses to go back and deliver the goodbyes she neglected when she initially fled the living world, though she cannot tell her loved ones where she has spent the past few months, which seriously hampers the repairing of relationships. Additionally, she has only six months before the Tunnels, the darkest part of the Everneath, claim her as a battery until the underworld drains her out of existence. As readers see her trying to find how to say goodbye, flashbacks reveal why she was in enough emotional pain to agree to go with Cole in the first place. While Cole persistently chases her, wanting her to return as his queen, she resists; choosing Cole means dooming another to her fate. A slightly overextended romantic subplot involving Jack, the boyfriend she left behind, resolves in time for a desperate Hail Mary pass.

The intense prose is slow-motion grieving mixed with mythology, awakening hope and redemption—a mix ideal for angst connoisseurs. (Paranormal romance. 13 & up)

Book One of Three



6) "Legend" by Marie Lu

A gripping thriller in dystopic future Los Angeles.

Fifteen-year-olds June and Day live completely different lives in the glorious Republic. June is rich and brilliant, the only candidate ever to get a perfect score in the Trials, and is destined for a glowing career in the military. She looks forward to the day when she can join up and fight the Republic’s treacherous enemies east of the Dakotas. Day, on the other hand, is an anonymous street rat, a slum child who failed his own Trial. He's also the Republic's most wanted criminal, prone to stealing from the rich and giving to the poor. When tragedies strike both their families, the two brilliant teens are thrown into direct opposition. In alternating first-person narratives, Day and June experience coming-of-age adventures in the midst of spying, theft and daredevil combat. Their voices are distinct and richly drawn, from Day’s self-deprecating affection for others to June's Holmesian attention to detail. All the flavor of a post-apocalyptic setting—plagues, class warfare, maniacal soldiers—escalates to greater complexity while leaving space for further worldbuilding in the sequel.

This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes. (Science fiction. 12-14)

Book One of Three






Thursday, March 10, 2016

Young Adult Fiction Book List

Need something to read? Want something that is still new? Check out this book list...




1) "The Memory Key" by Liana Liu

Mysteries abound as one girl struggles to uncover the truth behind her mother’s death while grappling with a malfunctioning memory device and the monolithic company behind it.

Lora’s world was turned upside down when her mother, a senior scientist at Keep Corp, was killed in a car accident five years ago. As manufacturers of the memory key, the device created to function like a normal human memory but with the added benefit of guarding against the once-widespread degenerative Vergets disease, Keep Corp holds unknowable power. When Lora’s memory key begins to deteriorate, memories long forgotten re-emerge in a painful wave, and one in particular stands in contrast to the familiar narrative of her mother’s death. Suddenly she can’t trust anyone, her headaches become overwhelming, and the secrets of her family’s connection to Keep Corp unravel at a startling rate. Liu’s addition of an Alzheimer’s-like disease to the popular memory-loss trend makes for an absorbing start. But her penchant for repetitive phrasing and short, stilted sentences distracts from the plot. Supporting characters such as Lora’s one-time uncle, an activist, and Lora’s elusive mother read authentically and keep the pages turning, while Lora herself rings hollow; she’s more a moody pawn than a compelling protagonist. However, the unexpected ending satisfyingly subverts easy clichés.

A fascinating spin on the memory-loss trope weighed down by a wooden lead. (Thriller. 13-18)



2) "Weightless" by Sarah Bannan

Cyberbullying and old-fashioned cruelty have devastating consequences in this debut novel.

When new girl Carolyn Lessing starts high school in small-town Adamsville, Alabama, she draws a lot of attention. Beautiful, sophisticated, and talented, she immediately becomes someone everyone wants to know. She even gets nominated for homecoming court and dates one of the most popular boys in school. But soon, she finds herself the target of the high school’s mean girls. Gossip about Carolyn spreads like wildfire across social media, and eventually she’s more social pariah than golden girl. The story’s unusual point of view—first person plural—makes the reader feel involved and question who’s really to blame for what happens. The heavy subject matter and deep unpleasantness of the characters make this book difficult to read, though. It’s clear that Carolyn is dealing with serious problems, but no one steps in to help her. The cruelty of teenagers is put on full display as she’s mercilessly tormented. This leads to a conclusion that has an emotional impact but feels slightly too moralistic.

This cautionary tale about technology and bullying explores the nastiness that exists in high school halls and online.



3) "The Fire Sermon" by Francesca Haig

A suspenseful post-apocalyptic adventure about a world cleaved in two.

Hundreds of years ago, the world was destroyed in a blast of fire. Now, just as history has been divided into Before and After, humans have been divided into Alphas and Omegas. Every whole, healthy Alpha child is born with a mutated Omega twin who’s missing an arm or an eye—or has one too many. And when one twin dies, the other dies, instantly, inexplicably, inevitably. Most twins are separated as infants, but Cassandra and her twin, Zach, are both born physically whole, so Cass is able to hide her mutation—the fact that she can see things that haven’t happened yet and places she’s never been. The link between Cass and Zach has the potential to change their world forever, as Zach climbs the ranks of the ruling Alpha Council, and Cass starts to dream about an island where, rumor has it, an Omega resistance is brewing. Debut novelist Haig builds a richly textured world and creates characters who immediately feel real. The suspense of the plot, driven by the fear and anger underlying this unbreakable bond between twins, never flags. Haig’s experience as a poet shows in her writing, which is clear, forceful and laced with bright threads of beauty.

With its well-built world, vivid characters and suspenseful plot, this book, the first in a planned trilogy, is poised to become the next must-read hit.



4) "The Cost of All Things" by Maggie Lehrman

Reeling from the death of her boyfriend, a girl enlists the help of a hekamist to forget him just as other spells taken by those closest to her reveal their true, unforgiving costs.

When Ari visits the hekamist who lives behind her high school, she’s well-aware this won’t be the first spell she’s ever taken. When she was a little girl, her parents were killed in a fire, and her wrist still aches as a side effect of the trauma-erasing spell she took then. The death of Win, her boyfriend, drives her back without regard to the compounded consequences of taking on multiple spells. Through the alternating voices of Ari, Win, and their friends Kay and Markos, readers see a dense knot of intertwining spells—cast knowingly on some and unknowingly on others—slowly unraveling. And as the hekamist’s daughter relates, spells protect themselves. They don’t want to be broken. As the magic reveals its true power, each character charts remarkably complex courses in painful growth. Perspectives propelled by angst and obsession, like those of Kay and Markos, can drag, but the stories of Ari and Win shine in their depth. Though he’s absent, Win’s journey resonates, and the mark he leaves is felt long after the final page.

An engrossing, emotionally resonant spin on the old adage: Be careful what you wish for. (Urban fantasy. 14 & up)



5) "The Lost Marble Notebook of Forgotten Girl and Random Boy" by Marie Jaskulka

Trying to escape their broken worlds, two teens fall in love with devastating results.

The story begins with the first meeting between Random Boy and Forgotten Girl. They are never given proper names, and their labels indicate their template relationship—“insert your name here,” Jaskulka seems to invite readers. Forgotten Girl and Random Boy write their first-person free-verse poems in notebooks—this is the structure of the narrative—sharing their doubts, fears, hopes and needs as they fall in love and hope to erase the pain of their home lives. Readers learn that Forgotten Girl’s father has recently abandoned her, and Random Boy’s father physically abuses both Random Boy and his mother. Eventually the love between Random Boy and Forgotten Girl teeters into obsession and then worse. “As much as he loves / is as hard as he hits, / which makes the pain / reassuring / in a sick way.” Why Random Boy begins abusing Forgotten Girl and why she stays with him (ultimately getting herself out) is told with such complete believability that the descent seems almost foregone, given the wounds that each has brought to the relationship. Jaskulka’s narrative explores the hows and whys of an abusive teenage relationship with heartbreaking honesty, and her delicate touch renders the dark story even more powerful.

Graceful. Searing. Haunting. (Verse fiction. 12-17)



6) "No Parking at the End Times" by Bryan Bliss

Even though the end of the world didn’t happen, it still feels like it to Abigail.

After the teen’s down-and-out parents sell all their possessions in North Carolina and give the money to smarmy Brother John in California—who claims that the end of the world is near—Abigail, her twin brother, Aaron, and her still-trusting parents find themselves homeless, living out of their van in San Francisco. In this debut novel informed more by adult sensibility than teenspeak, Abigail begins to see her parents’ manipulation by Brother John and questions her own faith in the world. Aaron, meanwhile, escapes the insanity by sneaking out each evening to meet up with the city’s other homeless teens. As Abigail notices her once-close brother’s increasing detachment from her and the family, she wrestles with a range of emotions, from jealousy to separation anxiety. Packed with some lovely phrasing, the story has good intentions, but a slow, repetitious plot and a lack of tension will keep it from fully engaging most adolescent readers. A hopeful yet too-tidy ending offers instant resolutions.

Thoughtful readers may take interest in Abigail’s self-discoveries. (Fiction. 14 & up)