Thursday, September 17, 2015

Male Heroes to the Rescue! Book List

Is your teenage son looking for something to read? Does he want something with a male hero? Check out this book list...



1) "The Stranger" by Max Frei

If Harry Potter smoked cigarettes and took a certain matter-of-fact pleasure in administering tough justice, he might like Max Frei, the protagonist of this fantasy novel.

Author Frei is a Russian whose books have been bestsellers in his homeland for the last dozen years. Frei, this novel’s protagonist, is something of a dissolute slacker who once spent his nights smoking, eating and loafing, his days sleeping. When Sir Juffin Hully (who looks like Rutger Hauer’s older brother, though, Frei suggests, “try to augment his striking image with a pair of light, slightly slanting eyes”) comes into Frei’s life, he acquires a new sense of purpose. Frei has always been a dreamer, and now he has reason to wander between Worlds and see what kind of mischief he can find. Hully is a masterpiece of Potterian eccentricity, and then some, and the tone of the book often has a Potterian charm, though there’s an undercurrent of post–Cold War espionage in the mix; indeed, Frei, a onetime resident of the backwaters of empire transposed to the Heart of the World, reminds us that the barren borderlands house “the most diverse, sometimes extraordinarily powerful people, and not just wild barbarians,” which seems a very Russian thing to inject into the proceedings. Inspired by such characters as the Master Who Snuffs Out Unnecessary Lives, a survivor of the Troubled Times, a habituĂ© of places like the Murky Market and the House by the Bridge, and familiar with the deleterious effects the Elixir of Kaxar has on his countrymen, Frei does his bit to keep the world safe from malevolent magicians and conspiratorial spirits. And if the book is more talk than action, that talk is reliably entertaining, frequently double-edged and nicely idiosyncratic (“I’m off to do something meaningless, as you suggest. That’s what I do best”).

Well-written, well-paced grown-up fantasy with a strong dose of reality.



2) "Charm & Strange" by Stephanie Kuehn

From his opening announcement, “I don’t feel the presence of God here,” Andrew Winston Winters pulls readers into his story, alternating between his desperate life at an upscale Vermont boarding school and his grim, shadowed Virginia childhood.

Present-day Win is smart, competitive and untrusting, estranged from his former roommate, Lex, his one ally and defender. The reasons for Win’s self-loathing and keyed-up anxiety won’t be fully revealed until story’s end. What exactly does he expect to happen during the full moon? Why has he fallen out with Lex? Win’s privileged childhood, when he was known as Drew, is another mystery. A violent child prone to motion sickness, his unvarnished self-portrait contains big gaps. What’s happened to Keith, Win’s gentle older brother, and Siobhan, their beloved younger sister? Kuehn unwinds her story like a cat toy, teasing readers. Only when all the pieces are fit into the puzzle will the mystery at its heart become clear. How the horrific secrets Win’s been hoarding have shaped his past and explain his present crisis dominates the narrative. Timing—why he’s experiencing his crisis and the choices flowing from it, now—gets less attention, leaving unanswered questions.

A high-powered voice rich in charismatic style and emotional intensity illuminates this ambitious debut that doesn’t quite live up to its potential. (Fiction. 13 & up)



3) "The Way of the Warrior" by Chris Bradford

In 1611, 12-year-old British sailor Jack Fletcher’s ship is attacked by ninjas, and the entire crew, including Jack’s father, the ship’s pilot, are killed. Jack is saved by the samurai Masamoto Takeshi, who adopts him because they have a common enemy: The same ninja who killed Jack’s father killed Masamoto’s eldest son. Jack becomes a student at Masamoto’s school. He makes a few friends and does well in training, but he has to endure cruel teasing, only finally winning respect by prevailing in a school competition and repelling another attack by the evil ninja Dragon Eye. Bradford’s first, the start of a projected series, is a mixed bag at best. The few exciting scenes are outnumbered by lengthy lessons, and modern phrases destroy the historical ambiance. The artificial tension created by cliffhanger chapter endings is regularly undercut by a leap ahead in time at the beginning of the next chapter. Spend your samurai dollars on the vastly superior Seikei and Judge Ooka series by Dorothy and Thomas Hoobler. Despite the website hype, this is a commonplace James Clavell knockoff for kids. (Historical fiction. 9-13)



4) "Mythago Wood" by Robert Holdstock

A striking and original fantasy that opens with quiet confidence, unfolds into a wealth of absorbing ramifications, and finally subsides into rather unsatisfying, flat-footed symbolism. Steve Huxley, after a long recuperation from WW II wounds, returns to Oak Lodge, the family seat, only to find his elder brother Chris degenerating physically and mentally; Chris has become obsessed with nearby Ryhope Wood (it may be the last patch of primeval forest left in England) and the weird creatures that live there. According to George (the brothers' late, unloving, preoccupied father), minds interact with the psychic forces of the wood to generate archetypal charcters--""mythagos""--from the human racial unconscious; among the beings described in George's cryptic diary are Guiwenneth, a lovely, red-haired warrior-princess, and the huge, powerful, nightmarish Urscumug. Deep inside the forest, space and time are distorted, and mythagos from both historical and prehistorical times are created spontaneously. Moreover, those who enter the forest are changed in unpredictable ways. So when Guiwenneth reappears--George's version having been killed by a Robin Hood mythago--the brothers each find her as irresistible as George did. Thus the stage is set for fierce sibling rivalries and a final showdown deep inside the forest--with both brothers threatened by the looming, sinister Urscumug, a mythago-embodiment of their dead father. The approach could have been more felicitous, but Holdstock's fantasy-idea is one of the most exciting and arresting in years. All in all, an impressive advancement on Eye Among the Blind (1977).



5) "Will Grayson, Will Grayson" by John Green

Will Grayson loves indie rock, plays the eye-rolling angry stepchild to his extraordinarily giant, lovable, gay best friend Tiny Cooper and doesn’t realize that he yearns for his other indie-rock–loving friend Jane until it’s too late. will grayson (he never uses uppercase) hates most everything except sharing an XXL coffee with his best friend Maura each morning and covertly conversing with his Internet boyfriend every night. Their two discrete worlds collide in a Chicago porn store after dual botched evenings out. Love, honesty, friendship and trust all ensue, culminating in the world’s gayest and most fabulous musical ever. Green and Levithan craft an intellectually existential, electrically ebullient love story that brilliantly melds the ridiculous with the realistic. In alternating chapters from Will and will, each character comes lovingly to life, especially Tiny Cooper, whose linebacker-sized, heart-on-his-sleeve personality could win over the grouchiest of grouches (viz. will grayson). Their story, along with the rest of the cast’s, will have readers simultaneously laughing, crying and singing at the top of their lungs. (Fiction. YA)






6) "Attachments" by Rainbow Rowell

Can love survive in the information age? It can when a newspaper’s IT guy begins reading the e-mails of the film critic.

Set long ago in 1999, when people still cared about privacy, Beth, a film critic at a Nebraska paper and Jennifer, a copy editor across the room, trade daily e-mails when boredom strikes at work. What they don’t suspect is that Lincoln, working the graveyard shift, reads their highly personal missives as part of his job, monitoring flagged e-mails for inappropriate material. He could stop (they’re neither gambling, browsing porn nor harassing co-workers), but he doesn’t want to—Beth and Jennifer are funny and friendly and have a life—something Lincoln desperately wants for himself. Handsome and addicted to college—he just finished his second master’s degree—Lincoln is also awkward, heartbroken from his cheating girlfriend, happy to count D&D as a social life, and has just moved back in with his counter-culture mother. Somehow, reading Beth and Jennifer’s e-mails make him feel normal. And he gets an eyeful of their normal: Jennifer is obsessed with pregnancy and how to avoid it, even though good guy husband Mitch wants nothing more than to start a family. Beth wishes she was as secure in her relationship with musician Chris, but he’s hardly the type to settle down. As the two trade emails, Lincoln feels increasingly like a cyber-stalker, but then something funny happens: Beth begins confessing a crush on a mystery man at work. Her cute guy eats dinner in the break room with old Doris, helps Jennifer change a flat and sounds an awful lot like Lincoln to Lincoln. He thinks he may be falling in love (even though he’s never seen Beth), but what about Chris? All's well that ends well in this romance that switches from the women’s e-mails to Lincoln’s narrative of his slow rise from sad sack to confident boyfriend material.

A certain light charm pervades the novel—a Spring Break kind of book.




7) "Paper Towns" by John Green

Printz Medal Winner and Honoree Green knows what he does best and delivers once again with this satisfying, crowd-pleasing look at a complex, smart boy and the way he loves. Quentin (Q) has loved Margo Roth Spiegelman since they were kids riding their bikes, but after they discovered the body of a local suicide they never really spoke again. Now it’s senior year; Margo is a legend and Q isn’t even a band geek (although quirky best friends Ben and Radar are). Then Margo takes Q on a midnight adventure and disappears, leaving convoluted clues for Q. The clues lead to Margo’s physical location but also allow Q to see her as a person and not an ideal. Genuine—and genuinely funny—dialogue, a satisfyingly tangled but not unbelievable mystery and delightful secondary characters (Radar’s parents collect black Santas)—we’ve trod this territory before, but who cares when it’s this enjoyable? Lighter than Looking for Alaska (2005), deeper than An Abundance of Katherines (2006) and reminiscent of Gregory Galloway’s As Simple as Snow (2005)—a winning combination. (Mystery. 13 & up)









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