1) "The Invention of Hugo Cabret" by Brian Selznick
From Selznick’s ever-generative mind comes a uniquely inventive story told in text, sequential art and period photographs and film. Orphaned Hugo survives secretly in a Parisian train station (circa 1930). Obsessed with reconstructing a broken automaton, Hugo is convinced that it will write a message from his father that will save his life. Caught stealing small mechanical repair parts from the station’s toy shop, Hugo’s life intersects with the elderly shop owner and his goddaughter, Isabelle. The children are drawn together in solving the linked mysteries of the automaton and the identity of the artist, illusionist and pioneer filmmaker, Georges Méliès, long believed dead. Discovering that Isabelle’s godfather is Méliès, the two resurrect his films, his reputation and assure Hugo’s future. Opening with cinematic immediacy, a series of drawings immerses readers in Hugo’s mysterious world. Exquisitely chosen art sequences are sometimes stopped moments, sometimes moments of intense action and emotion. The book, an homage to early filmmakers as dreammakers, is elegantly designed to resemble the flickering experience of silent film melodramas. Fade to black and cue the applause! (notes, film credits) (Fiction. 9-12)
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2) "The Mysterious Benedict Society" by Trenton Lee Stewart
Running long but hung about with cantrips to catch clever readers, Stewart’s children’s debut pits four exceptional youngsters, plus a quartet of adult allies, against a deranged inventor poised to inflict an involuntary “Improvement” on the world. Recruited by narcoleptic genius Mr. Benedict through a set of subtle tests of character, Reynie, Sticky, Kate and Constance are dispatched to the Learning Institute for the Very Enlightened to find out how its brilliant founder, Ledroptha Curtain, is sending out powerful mental messages that are sowing worldwide discord. Gifted with complementary abilities that range from Reynie’s brilliance with detail to Constance’s universally infuriating contrariness, the four pursue their investigation between seemingly nonsensical lessons and encounters with sneering upper-class “Executives,” working up to a frantic climax well-stocked with twists and sudden reversals. Low in physical violence, while being rich in moral and ethical issues, as well as in appealingly complex characters and comedy sly and gross, this Lemony Snicket–style outing sprouts hooks for hearts and minds both—and, appropriately, sample pen-and-ink illustrations that look like Brett Helquist channeling Edward Gorey. (Fantasy. 11-13)
3) "The Ghost Belonged to Me" by Richard Peck
4) "The London Eye Mystery" by Siobhan Dowd
5) "Basil of Baker Street" by Eve Titus
Into Basil's (the noted mouse detective) apartment on No. 221-b. Baker Street, Mrs. Judson, the ""mousekeeper"", ushers the frantic Proudfoots, whose twins, Angela and Agatha, have been kidnapped. Basil, who is well equipped to find the girls, having very literally followed in the footsteps of Sherlock Holmes, and his companion, Dr. Dawson, set out in pursuit, and after much cogitation and derring do, reunite the little girls with their parents. This miniature detective story follows many of the conventions of the A. Conan Doyle classics, though its simple structure and elementary clues are geared to the logic of the young reader. The text, itself, does not fully exploit the humorous possibilities of the situation although Paul Galdone's elegant Victorian illustrations will delight both children and adults with their graceful wit. Eve Titus and Paul Galdone, who have previously collaborated on the very successful Anatole books, once again happily join forces in this charming mousetery.
6) "The Wig in the Window" by Kristen Kittscher
Mayhem ensues when 12-year-olds Grace and Sophie spot the school counselor in the act of bloody murder.
The friends have been sneaking around on imaginative, late-night spying missions for some time, but they’ve been pretty tame. This changes when they see the already mysterious, cloyingly sweet and very unpleasant Dr. Agford attacking something—somebody?—with a streaming red cleaver, overhear her suspicious phone conversation and then decide to call 911. The call is traced to Sophie’s phone, and she takes full blame, since it turns out Agford was apparently just chopping beets. The girls, though, still think she’s up to something. Agford decides to begin “counseling” Sophie to keep tabs on her, kids at school begin to harass her, and the suspense ratchets up as the girls investigate the counselor’s background—and her bizarre wig. An FBI agent who at first seems likely to help begins to look threatening. Sensible and smart but socially ostracized fellow student Trista proves to be the voice of reason as Sophie’s world begins to fall apart. Sophie’s first-person narration rings true and makes the growing peril feel ominously real. Ample red herrings keep young sleuths and engaged readers guessing in this thrilling debut mystery.
Reminiscent of the ever-compelling film Rear Window, this appealing and often spine-tingling tale will leave its audience wishing for more. (Mystery. 11-13)
7) "Dead End in Norvelt" by Jack Gantos
An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”
The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.
Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)
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